Dungeon World Character Creation Thread

We’re starting up a mini-campaign of Dungeon World, with most of the conversation taking place in a single private Google+ conversation thread.

But it was too good, so I’m saving most of it here for posterity. Sorry the formatting is so terrible. Blame G+.


Okay, I think the plan I’m going to go with is running a Dungeon World thing, followed by a Masks thing. (I’m especially jazzed about Masks since I just got a new packet of playbooks from the Kickstarter yesterday, but patience…)

SO, here’s the particulars.

The Roll20 page is [link redacted] – you can jump in there and open a character sheet and put in stats and moves as you like, if you’re super motivated. (Mike, your Artificer is in there already.)

Dungeon World is baaaasically a PBTA take on classic DnD, so the standard DnD classes are there: Fighter, Wizard, Cleric, et cetera, and you can dig into alternate playbooks if you want to go the Basic DnD route of “Dwarf is a character class” or whatever. The System Resource document has all the basic classes, but seriously if you have some kind of fantasy trope you want to play, ask, because it probably exists out there somewhere.

Once I know what people are playing, I will hit you with personality and background questions.

The tone of the game will be fantasy closer to White Dwarf and Heavy Metal magazine covers than The Hobbit. Magic is powerful, weird, and dangerous.

We’ll be using Flags instead of Bonds, so ignore Bonds in the rules.

That’s about everything I can think of right now.


Mike Yay! Glad to finally be back to Dungeon World and interested in how Flags play out. Might I also suggest this document.


Doyce Oh I like those! Good stuff!

Basically, unless you’re a bard or some other highly social character (some priests might qualify), pick or design two flags for people to hit. If you’re super-social, three.


Mike BTW Doyce, are we still going to be doing the thing with the timeloop where my artificer remembers what happened that you’d mentioned in the previous thread, or are we doing something else? Will probably help me determine my Flags.


DoyceWhat do you think? I was thinking something like you suddenly find yourself riding a horse on the way to Frostberry at the base of the mountain, with these people you know, but also with that other set of very vivid (but fading?) “memories”… it would tie into your experiments in the cabin pretty well.

Or you could play someone else and your other guy can be a backup character following someone’s gruesome death. 🙂


Doyce Actually, Mike, I was looking over my notes from that other session, and guess what? During the lead-in questions, we found out that group was actually the SECOND group you were heading to the mountain with – the first group was wiped out before you ever got to the mountain.

HOW LONG HAVE YOU BE TRYING TO REACH THE PEAK? 🙂

(~Ash tries to play it cool as he relives a hellish groundhog day scenario for the 113th time…~)


Mike I’d forgotten all about that. Man, Ash really shouldn’t have played with that clock… every single time.

I kind of like the idea of Ash just flashing back to town, with a brand new group of adventurers ready to head up to the Mountain. “Gods below, why is it always a new group of people? Why do the memories always end when we get to the door? Why is it always the same day but everything is different? Maybe things will turn out differently this time…”


Doyce

I love this, so much. 🙂

Also of use: the dungeonworldsrd.com site has a section just on Character Creation – nice, since the actual character class pages don’t cover things like “what stat numbers you get.”


Dave I’ve been re-reading the Flags article Doyce originally linked to at http://walkingmind.evilhat.com – From Bonds to Flags.

(Saying this aloud to be sure I get the idea): a Flag is a Significant Personality Trait, with how others can tap it to demonstrate it (both trait and tap being something that makes the game interesting) and so earn them an XP.


Doyce

I would say the label of a flag is usually expressed as a personality trait, although the actual flag itself is the action that somebody takes to point at that personality trait

To go down a little bit further, it’s not just a personality trait that your character has, it’s an aspect of your character that you think will be FUN to see called out fairly regularly in play. People are going to be getting Xp rewards for hitting this thing, so they’re going to want to hit it. if you don’t want to see it… actually I’m going to say that if you don’t think you’ll enjoy seeing it repeatedly, pick something else.


Dave

(As a side note, and not to discourage anyone, but bearing in mind that this is meant to be a short campaign, it may not be necessary to boil the ocean to create our characters. Though I’ll confess I have several paragraphs of backstory already written …)


Doyce

He’s going to feel so silly when he dies in the first room.


Bill No worries, I can run an immediate sequel campaign using Wraith: the Oblivion.


Dave Is there a mechanical reason to put the Flags in the Roll20 Bio page, vs. putting them in on the main character sheet as if they were Bonds?

(We’ll probably want to gather all of those into a convenient document, since we need to know each other’s Flags more than our own.)


Doyce The bio page is the only page that other people can see, other than the people who can actually edit the character sheet. So you can see the part of the sheet with all the stats and numbers and moves, but somebody else looking at your sheet can only see that bio page. So if I wanted to see what flags to hit on your character, I can click on your character sheet and see those flags on the front page, but I won’t be able to see them if they’re inside your character sheet, and even if I could see them in the character sheet they’re a lot harder to find in there. 🙂

Basically I would put them in both places, but I’m weird like that.

Put another way: The bio page is basically for everything you want other people to see and know about your character


Dave Poifect, thanks.


Bill Did anyone else figure out what they are playing?


Doyce

Dave’s got a bard, Mike is doing his Artificer, Kay is I think gravitating toward a Ranger or Fighter. I don’t know about Margie yet, and my personal experience with her character choices, while extensive, isn’t deep enough to let me guess.

I do know that she’s usually as willing as you are to fill a needed gap, so you need not wait.

Right now, the ‘gaps’ are primarily thief- and fighter- or cleric-shaped, I think?

That said, it’s three sort of hybrid classes so far, so more dual-mode stuff (an unclassed ‘elf’ or ‘dwarf’ or something, for example) also works.

Knowledge/lore stuff can be covered by both the Artificer and Bard, but don’t let that rule out a Cleric or proper spell-caster.

I mean, really, I’d say go for whatever type of play most appeals to you – if you guys don’t end up with a bend-bars/lift gates or lockpick person, you’ll have to work the problems another way. 🙂


Dave I shall sing to the iron bars and they shall part to let me pass!

Or … most likely not.


Doyce My favorite part about the alternate Bard playbook is that it’s specifically designed to remove the ‘singing with a lute in the middle of a fight’ stuff. 🙂


Bill Okay, stock Thief is statted in Roll20.


Dave I will noodge the kinfolk.


Mike Bill, you say “stock thief” but the image makes me think of a very specific thief who wants my HP or my GP. 😉


Bill I’m not picky.


Doyce“Cowardly: Put us in situations I can justly complain about.”

Well, there’s everyone XP fountain for the game.

PERFECT. 🙂


MikeHey, Ash and Basler can complain about everything together! 😀

Actually just noticed that they both have the same flag, just named slightly different; I found mine under the Lawful header, but I figured I’d rename it for something more character appropriate.


Doyce Hmm. Yeah, that duplicate flag might be troublesome. Something to ponder. Hmm…


MikeOh I don’t know Doyce, that just means that Ash and Basler will want different things to complain about. Can’t speak for Bill, but from the Cowardly tag it sounds like he wants Basler to complain about being put into dangerous situations that he doesn’t want that he can complain about. “Hey Basler, this hallway looks suspicious. Mind taking a look?” “Oh, I don’t know…”

I see Ash’s more of seeing other people in danger and after helping them, complaining about being put upon to help. (just making some assumptions here…) Eduard: “Oh no, I’m being beset on all sides! Someone help me!” Ash: disgusted noise “I swear, if I wasn’t around to pull your butts out of the fire.”

Sure it’s a slight distinction, but I can see it being quiet different in play. Sort of an internal vs. external dynamic, if that makes sense.


DoyceI am 100% on board if you guys are. 🙂


DoyceKay has given you all a marvelous gift for this campaign.


Bill “Go fight that demon! This talisman will protect you.”

By the time that PC dies, the rest of us will have leveled up enough to beat it.


Doyce Actual conversation I had with kay on Roll20 tonight:

“Seriously, can I trust the thief?”

GM looks at your ‘Gullible’ flag.

“Absolutely.”


Bill


Doyce

This whole thread is a national treasure.


MikeJust checked out all the characters on the Roll20 page and I must say I’m very excited for tonight’s game.


Dave Yeah, thank goodness this is just a one-off adventure, otherwise folk might have put real effort into devising interesting characters …


Doyce

If you guys don’t end up destroying the world, I will keep them around for additional Adventures.


And here they are:

Ash Ulric, Artificer
ash

Basler
basler

Eduard Zitherhands, Bard
Eduard

Tiana, the rough mercenary turned paladin
tiana

Torwin the Courageous (among other things)
Torwin

Star Wars: Rebel Ops Update

I don't make a habit of posting links to the AP videos for our ongoing online Star Wars game, mostly because they're just a LOT of them (21 sessions recorded, with two additional missing sessions where we had technical difficulties).

23 sessions in about 46 weeks isn't too bad, as far as I'm concerned.

I'm sharing this one just because I'm happy with the way Roll20 is now working as our all-in-one voice, video, and virtual table solution, and happy with the OBS recording software and how the whole thing looks. It's not perfect, but it's pretty decent.

Plus it was just a fun session – lots of things going sideways in various ways, which is always a hoot – and set up some stuff I'm really looking forward to.

Visually, not a lot happening on the screen (I didn't use any maps or really drop in too many pictures this time), but I always like having the recording.

Thinking about Spaceships and Star Wars because… well, OBVIOUSLY

First, before getting into the “thinking” part, I’ll just embed this silly song with clips from a bunch of spaceship shows. Pop on some headphones and enjoy yourself.

Now then…

2016-02-26_9-05-59
Yesterday, the Evil Hat guys released a new “World of Adventure”; I’m a patron of the project, and thus far I have not in any way regretted my four bucks a month. While only a few of the books have been one hundred percent, out of the park grand slams for me, personally (Nest and Save Game spring to mind), I’ve found enjoyable and useful ideas and content in most everything.

The newest release, Deep Dark Blue, might be that rare bird – both something I’d want to run straight out of the box (remarkable, since I generally hate underwater scenarios), which also contains bits I’d happily lift and use in some other game.

The “liftable” thing in this case are the rules surrounding the submarine the players will crew, and the way in which the crew interacts with their vessel. The designers did a really nice job setting up what I think of as “shipboard drama” mechanics, in which the cohesiveness of the crew mechanically affects the ship’s general effectiveness. (For example: the captain’s ability to lead affects the ship’s stress track, and the collective “team stress track” (which can be harmed by manipulation and discord) can be used to soak damage that would otherwise harm the ship.)

As I said, it’s a compelling idea – one that plugs right in to how I see stories like Firefly and Farscape and BSG – and since I’m currently running a Star Wars game, one of the first things I thought upon reading it was “should I port this over?”

The answer, surprisingly, was “no.”

As I said in comments on Deep Dark Blue, yesterday:

I’ve come to realize that Star Wars, in default mode, isn’t really this kind of “spaceship scifi.” (One of the reasons I didn’t set up a big complicated ship-designing sub-system for the current game.)

It feels weird to say, given how big a deal and how iconic an x-wing or the Falcon is, but in terms of it being a ship-based drama, in which the dynamic of crew and their vessel is central, it’s just not that kind of thing, by default: the ships, while sometimes important to and emblematic of certain characters, generally just get you around and let you shoot guys.

And, later in the conversation:

Or, to say it much, MUCH more succinctly, in Star Wars, the ships matter, but crew dynamics do not, and mechanics aimed at crew dynamics (ship stress built from crew unity, for example) aren’t really scratching an itch Star Wars has.

I can’t decide if this realization is more surprising, or the fact that I took this long to notice.

Consider a situation where you’re starting up a new Star Wars game with these kinds of mechanics. People make up their heroes and at all times during the process, we try to focus on the fiction the game’s supposed to emulate. We get a retired clone trooper, a semi-legit transport pilot with a crappy ship she’d be happy to replace, a Naboo noble on the run from the Empire, and so forth.

Then we try to shoehorn this entirely legitimate and tonally accurate Star Wars group into the Deep Dark Blue ship mechanics.

“Okay, so who’s the captain?”

“Umm… well, Akana’s the pilot and owns the ship we’re on.”

“Great. What’s her Diplomacy?”

laughs Yeah. That’s not really her thing. Why do I need that?”

“Well, you don’t need it, but it helps your crew work together and increases certain –”

“Crew? I fly the ship pretty much on my own.”

“Hey, I fix things…”

“Right. Kelvin fixes things, but everyone else is pretty much just… passengers. Like on the Falcon.”

“Yeah… good point. Hmm.”

And Akana’s player is totally right – that’s how Star Wars works. Firefly-style crew-as-dysfunctional-family? That’s not a thing. BSG-style master-and-commander life aboard a naval vessel? Also not a thing. Ships are cool and important, but that’s just not a dynamic basic Star Wars cares about.

(Note: You absolutely could do something like this in Star Wars; the WEG-era Darkstryder Campaign did it, and I’d be happy if Disney did something in that style with a spin-off movie, in the style of Rogue One – but if your aim is a ‘classic’ Star Wars game, then this isn’t part of that.)

And again, I’m a little surprised it took me this long to realize it: it’s been there, right in front of us, all along.

There’s no place to sleep on the Millenium Falcon.

I mean… yeah, sure, there probably is, but we have literally never seen that space in anything but “schematics of Star Wars” and RPG books. Hell, there’s only one flat surface where you can sit a plate down and eat something, and it’s the size of a hotel nightstand. All the stuff that has to do with people living – the kitchen, the head, the bunks – it’s not there, or (more accurately) it’s not important enough to show. The Falcon is a ship for getting from one place to the next, and sometimes shooting guys in between.

Hell, for all it’s supposed to be a tramp freighter, it doesn’t really have any cargo space. Dig around the deck plans for Star Wars ‘transport’ ships as long as you like, and you won’t find more than 2% that actually look like they could do the job they were meant to do, because the maps have to match the exterior, and the exterior of Star Wars ships follow an aesthetic of cool pulp action that has very little to do with day-to-day livability.

It’s one of the reasons, I think, that the biggest Star Wars ‘tv series’ (Clone Wars) focuses more Band of Brothers-type stuff – the only time we see ships, they’re shooting at each other, taking off, or landing. No one lives in the things. Rebels tries, at times, to push things in that direction, but it doesn’t work at least in part because you can’t portray and build a crew-as-family dynamic (even with Hera, the best space-mom ever) when you have no place on the ship with enough room for everyone to sit down at the same time.

(Contrast Serenity: Can you picture the cargo bay? Does it feel like a real cargo bay, on a ship meant to haul cargo from place to place? Where does everyone sleep? Do we ever see those spaces? Do you know how the toilets work, and where they are? How about the kitchen?)

I’m not in any way saying that one type of “spaceship story” is better or worse than another – I like em all (even Star Trek, a little), but it’s really important to be aware of the kind of stories the setting (and design aesthetic) assume, and work out mechanics that match those expectations.

Mulling Over *Mountain Witch* mashups

For the last few weeks, I’ve been working on stuff related to the Mountain Witch, specifically:

  1. Prepping for a traditional “ronin samurai” play-through of the game, hopefully on Hangouts, hopefully soonish.
  2. Pondering various settings hacks for the game, including Dwarves/Dragon, Adventurers/Castle Ravenloft, Spark Prisoners/Escaping Castle Heterodyne, and so forth.

The basic criteria with these settings/setups are:

  • Protagonists have been, until the start of this game, pretty much on their own.
  • Everyone is generally pretty good at what they do, and what they do isn’t usually very nice.
  • Any ‘special abilities’ they have don’t really make them better than they already are, they expand the scope with which they can apply their skill (for instance, having a bow lets you be a combat threat a much longer range than with the default daisho).
  • Trust – who you trust, how much you trust them, how that changes as the story progresses, and how that trust is used for or against you – is a huge deal.
    • Related to that: there is a ‘matrix’ of default relationships sort of built into the characters, so that the trust everyone has for each other is a bit uneven, right from the outset. (In the baseline game, it’s based on the zodiac of your birth, in the dwarf version it’s based on your birth stone, with Adventurers it’s… I dunno. Something something handwave figure it out before we play.)

A new setting hack occurred to me today, though, that’s really pretty interesting – the basic idea is using Mountain Witch to run The Hunger Games.

  • Protagonists are or have been pretty much on their own.
  • Everyone is generally pretty good at what they do.
  • Any ‘special abilities’ they have don’t really make them better than they already are, they expand the scope with which they can apply their skills (which is why everyone’s scrambling for special supplies at the outset of a Game).
  • Trust and how it’s used is a huge deal.
    • There is a ‘matrix’ of default relationships sort of built into the characters; in this case replace the Zodiac with the Districts, with a similar network of “you start off trusting these guys, and not these guys” for everyone, plus a bonus “and you really trust (or really don’t trust the other person from your own District).

At this point, all I’d need to do is map the basic outline to the four acts that Mountain Witch defaults to, with bonus points if the game actually starts well before the beginning of the Game itself (in the Capitol or something).

Well, that and change the two default questions players answer during character generation.

Double-bonus points if it’s not literally Hunger Games, but something in that general ‘survival YA’ vein.

Wildstar Tabletop Gaming, by way of FAE/Jadepunk

“You should do a Wildstar game,” opined my daughter.

“Sorry?” Her comment confused me, both because Wildstar is an MMO and because I was distracted at the moment due to the fact that we were both playing Wildstar at that moment.

“Like you did with DC Universe,” she explained. “A Fate version of Wildstar. That would be cool.”


I’d actually already had the idea, and had muttered incoherently about it to Ryan M. Danks while we jawed about his new FAE game Jadepunk over on the Googles. Ryan’s played a bit of Wildstar, and easily spotted the parallels between the MMO and his game.

SO, prompted for a write-up by a now-overwhelming list of two whole people, here’s a quick-and dirty hack of Jadepunk for running a Fate version of Wildstar… probably the … well, one of the most edge-case, limited-audience thing I’ve ever written a blog post on, and the competition in that arena is stiff.


Disclaimer: I’m really not much of a game hacker/designer. It’s not that I don’t have any inclinations in that direction, but for me it’s more rewarding to take a game as-written and make it work for a particular setting than it is to change a game around until it’s a perfect fit. For example, most “using Fate to run a supers game” hacks leave me cold, as it always feels like a lot of extra fiddling for something you can do with the game-as-written.

So… there won’t be many changes to baseline Jadepunk, here; this is more a mental exercise in using what’s already there to do the thing you want to do.

What We’re Starting With

At some point, I’m going to actually write about Jadepunk itself, why I like it, and why I didn’t think I would, but for now let’s just focus on what it is:

Jadepunk is a sort of elemental wuxia/gunslinger/steam- clock-work/Legend of Korra mashup built on the lovely, powerful-yet-lightweight Fate Accelerated system. My impression (which may differ from others) is that the primary differences between it and vanilla-FAE are:

  • A slightly different focus for the five main character aspects.
  • A reskinning of the six character Approaches, adding flavor and intent that matches the setting.
  • A more structured, “ads/disads/point buy” system for building “Assets” (née Stunts/Extras) for your characters.
  • A lot of world flavor that informs/constrains the ways in which Fate’s (intentionally) loosey-goosey Stunts/Extras/Aspects are implemented in this iteration of the rules.

If you love the loosey-goosey build style (I do), then the Assets system may be a bit of a culture-shock, but luckily I also love fiddly “build-it-yourself” power systems, so it didn’t take me long to both grok and enjoy playing with that system.

The titular jade is one of the main rules-constraining setting elements: it (via the five basically elemental-themed colors) functions as both magical power source for strange effects and technology-analogues (see: white-jade-powered wireless telegraphs, or red-jade shell casings) and conflict driver.

Finally, you’ve got the default setting of Kausao City, home to the rarest kind of Jade (black, a sort of magic omnigel) and a kind of Shanghai-meets-Babylon-5, ripe with the sort of corruption that sees the wealthy strangle the middle- and abuse the working-class. The PCs are (by default) assumed to be those who’ve decided to fight against those wrongs in a very “you have failed this city” kind of way.

Note: I don’t in any way need to reskin this game to Wildstar to make it worth playing – the rules, setting, and setup all make me quite happy – it’s good stuff.

Where We’re Trying to Get

Wildstar, by contrast, is a far-future sci-fi setting. The basic idea is a bunch of sentient races that have all been (to greater or lesser degrees) messed with by a elder, hyper-advanced race (referred to as “The Eldan” to make it easy to remember), now loosely divided into two “Alliance vs. Browncoat” factions.  The Eldan have long since vanished, and both of the sides in this conflict have recently discovered the planet Nexus, initially thought to be the Eldan homeworld but, in reality, more likely the site of the Eldan’s great (and apparently “successful”) multi-pronged attempt to achieve a technological singularity that (if nothing else) shuffled them off the perceivable wavelengths of our mortal coil.

Having found this place, both sides of this perpetual war are now poking around the remains of these massive Eldan experiments, trying to recreate the whole bloody mess, while shooting at each other, because what could possibly go wrong with that?

Similarities to Jadepunk include:

  • Similar “approaches” (professions)
  • Similar wild west, cobbled-together-tech feel
  • Similar elementally-themed power sources for said technology
  • The kind of setting that lends itself to the Assets system that Jadepunk uses.

Differences:

  • Class- and level-based character progression.
  • “Magic”
  • Different story focus: Jadepunk is a game about doing the right thing; Wildstar is a game about unlocking mysteries perhaps best left buried.

So Here’s the Hack

Differences aside, let’s say I want to run a quick and dirty Wildstar game. What do I do?

1. Throw out the idea of Wildstar classes, profession, and trade skills.

We’ll get there, but we’re going to come at things sideways. Read on.

2. Leave Character Aspects (p. 31) as is.

You’ll either need to fill in a lot of history for the players, or they’ll need to be familiar with the Wildstar setting, but once that’s done, it’s really no problem coming up with Portrayal, Background, Inciting Incident, Belief, and Trouble aspects that work.

3. Reskin a few of the Professions (Approaches)

  • Engineer, Explorer, Fighter, and Scoundrel are fine.
  • Professions aren’t Classes. Treat the Professions like sliders that indicate what your character is focused on. A warrior will probably lead with Fighter, sure, but so might a combat-focused Engineer (who ranks Engineer and Explorer at 2) while another “similar” gear-head goes Engineer 3, Scientist 2, Scoundrel 2… and is all about raiding old Eldan laboratories. You could have a whole party of “Stalkers” who play very differently…
  • Rename Scholar to Scientist, make a note that it’s a go-to profession for using Create Advantage to identify/create Environmental aspects during a conflict (“Hey, if we bombard these big flowers with gamma radiation, they create a remarkable low-gravity field…”), and carry on.
  • Replace Aristocrat with Settler. Settler has all (or most) of the same social applications, and is also used for building stuff that isn’t some sort of new invention (Engineer) or discovery (Scientist), all of which overlap or enhance one another in various ways.

The Settler creates social networks (villages, townships, even outposts), often by building the infrastructure that supports them. Despite their life on the “lonely frontier,” a Settler is a social creature, willing to speak up at a town meeting, step out on the dance floor at the next hoe down, negotiate trade agreements and land rights, and stand up for a new settlement in the face of a Red Sun Mercenary gang looking to shake down some farmers.

Overcome: Settler is used to influence others to do work together (or for you), either through charm or coercion, and to establish connections with others. Storytellers charm their audience, deputies interrogate suspects for information, and store owners barter their goods or services.

Create Advantages: Use Settler to create advantages representing infrastructure improvements (barricades, town walls, armament emplacements, hardened power grids) or populace-wide emotional states (Enraged, Emboldened, Shocked, Hesitant, Joyful, or Excited). You could give a speech to Inspire, stir a crowd into a Crazed Mob, find someone Talkative or Helpful, or get everyone working together to get the Jury-Rigged Missile Defense System operational before the Dominion air support shows up…

Attack: Settler only performs attacks as part of social duels.

Defend: Settler defends against any attempt to damage your reputation, change a mood you’ve created, tear down the infrastructure improvements you’ve built, or make you look bad in front of other people.

4. Do pretty much everyone else you want to do with Assets

Want your Granok to have extra tough skin? Want your Aurin to be especially good sneaking around in natural surroundings? Want to specifically emulate one of the skills from the MMO? Do all that with Assets.

  • Scanbot: Ally (Professional: Scientist 2 , Explorer 1, Sturdy 1, Resilient 1, Independent, Troubling: Easily Noticed) – basically a scientist teamwork-bonus following you around
  • Taunting Blow: Technique (Exceptional: Reduce damage shifts by 2 to apply “Taunted” aspect to target that can be used either to compel target or as a defensive boost to anyone the target attacks, other than the character.; Situational: Only on Success with Style; Situational: Only with Melee weapon/or/Only with arm-mounted Plasma Blaster)
  • Bruiserbot: Ally (Professional: Fighter 2, Explorer 1, Sturdy 2, Resilient 2, Independent, Troubling: Random Aggro)
  • Spellslinger’s Gate: Technique Focus: +2 to Explorer: Create Advantage – Stunned on Target(s) you either appear next to or which you were next to before you gated away.; Flexible (sort of) Create Advantage roll (less the +2 bonus) also counts as Overcome for character moving to adjacent zone (line of site required); Limited: Once per scene)

And the Assets system doesn’t have to (and shouldn’t) be limited to combat. Assets are a great way to address some of the bonus skills provided by professions, or Wildstar’s trade skills… though some of those might be easier to do with a basic FAE stunt, with no Flaw. (“Because I am a Relic Hunter, I get a +2 to Overcome with Explorer (or: Scientist) when extracting useful resources from otherwise useless/broken Eldan artifacts.”)

A Word about Healing

Several of Wildstar’s “healing” classes focus on creating (or restoring) temporary shields around the targeted character, and I’d focus entirely on that for the Fate version: make Create Advantage rolls to create “Refreshed shields” effects that your ally can invoke for free on their next defense roll, for example. Assets along these lines might allow for a Create Advantage on an ally when you Succeed With Style (and take -2 shifts) on an attack on an adjacent enemy (or vice versa, for the defensive-minded)… or even create a temporary “device” asset on your ally with Sturdy: 2.

One of my favorite Medic abilities (the healing probes) would be something like “Exceptional: affects all friendlies in zone; Sturdy: 2; Limited: Requires Resonators; Situational: Success with Style; Troubling: Angers any enemies in zone (aggro).”

And that’s it

No, seriously, that’s about it. Most of tweaks are in character generation – once you’re playing, it’s pretty much just Fate as-written, and focusing on “tell me what you want to do, and we’ll figure out what to roll later.”

Hangouts/Roll20 Gaming: Past and Future

As most of you know, I finished up a Fate game about a month ago that ran via Google Hangouts and the Roll20 plugin (session videos here). I’d originally thought it would run around 6 sessions (my rough estimate for a face to face tabletop environment with ~3.5 hour sessions), and it ended up at 9, not because Hangouts made it take longer (if anything, Hangouts and Roll20 sped things up) but because we ran shorter sessions of about 2 to 2.5 hours each.

It took right around 3 months to get in 9 ‘weekly’ sessions which, for adult gamers with many commitments, isn’t at all bad: 9 sessions in around 12 weeks, with one player suffering technical problems and another who lost a family member and was unavailable for a couple weeks. I entirely attribute this session/week ratio to the flexibility Hangouts gave us – no one had to travel to the game location, and thus no one had to budget extra time for packing up their stuff, getting presentable, driving over, and getting home after: they just logged at the right time, logged out at the end, and boom – they’re home already and there’s no gaming group to clean up after.

wifi
And you can play pretty much anywhere.

(Honestly, Hangouts made the game possible in the first place: player locations ranged from the east coast to Alaska.)

This setup (short-ish scenario, running to conclusion over a limited period of time) worked well, and based on that, there are at least a few other games I’d like to play pretty soon with, if anything, even shorter arcs. These include:

  • The Mountain Witch, which is pretty much designed for playing in two to three sessions, and which has a pretty non-crunchy system with nonetheless brutal mechanics.
  • Fiasco, maybe several times, using different play sets. I’ve never played this, but I have high hopes, and as a GMless game it appeals to me. I’ve actually built an “Amber Throne War” playset that I’d like to play…

That said, I can also see a couple decent ways to do longer running campaigns, and I might try one of them fairly soon, as well: I’m thinking of an Atomic Robo (Fate) campaign with a couple basic guidelines:

  • Scenarios that either wrap up in one session or which everyone understands may not resolve the very next week.
  • A rotating cast of characters.
  • A slightly larger pool of involved players than I’d want to GM, if they all showed up.

The idea here is a sort of “monster of the week” setup, where we play with whichever Tesladyne employees are available that week, and no one stresses out if they can’t make it. This would let us run regardless of schedule conflicts (potentially improving the session/week ratio even more) and, if we didn’t wrap up in one session, we’d have the option to continue that arc whenever that same group of players were available (maybe allowing in an additional action scientist in part 2 as surprise backup or whatever), rather than forcing a delay until all those same players could make it.

(Also worth considering: with the folks playing, there’s a better than normal chance that some sessions would have a guest GM and I could just play, which would be awesome.)

Pretty much the same setup would work (I think) with Ryan M. Danks’s Jadepunk (which is built mostly on the very pickup-friendly Fate Accelerated and Ryan’s own design kung-fu), though I’m pretty sure some kind of over-arching metaplot would creep in on that one, just because of the setting. I consider that a feature.

I plan to pitch this (these?) to my Google+ gaming peeps pretty soon and see who’s interested.

Fate, The Demolished Ones, Sessions 5 and 6

Under normal circumstances, I wouldn’t be blogging about this game at all, right now: the last anyone would have heard about it would have been Session 3.

That doesn’t mean the game is going poorly! Far, far from it. However, there’s a ton of other stuff going on at the moment (work stuff, writing stuff, audiobook stuff, end of semester stuff, kids stuff, family stuff), and the simple fact is this: if the only way I had to record what happened in this game was writing down a detailed actual play, then nothing would be getting recorded.

Luckily, that’s not the case, since we’re playing the game on Google Hangouts “on air”, which automatically records it to Youtube. A bit of tweaking, settings changes, and playlist adjustment, and we get an excellent record of everything “previously on.”

This is everything so far:

I don’t think having these video recordings have made me any more or less likely to write down an actual play, but it does make me very happy something is being recorded, even when I’m stupidly busy.

Also, there are a few other nice benefits:

  • When I have time to ‘do stuff’ related to the game, I can prepare things for the next session, instead of writing about the last one.
  • I can rewatch prior sessions (or play them on my phone during drives and just listen to them podcast-style) to remind myself of stuff I’d introduced that I want to reincorporate.
  • The roll20 app is WONDERFUL for giving me a central place to both store and organize all the random stuff I’ve pulled together for the game, while at the same time providing means for sharing it with the players.

So: sorry for not writing things up in detail, but for real detail, nothing works much better than listening to exactly what happened in the session.

I will certainly have a post-game analysis of the good, bad, and ugly for both the game and for the Hangouts/Roll20 gaming medium. At this point, I would guess that we’ll have about eight sessions in total (tonight’s will be seven). Eight was my first estimate, then I’d started to think it would run to nine, but last session (after some hemming and hawing) the players sprang into action and pretty much skipped right over a whole subplot that didn’t grab them, so we’re back on track for eight.

The big challenge tonight? Everyone kind of split up, so we’re going to be splitting the camera time between three different scenes for awhile, which may or may not slow things down – we’re splitting up the camera time, but covering three times as much ground? Maybe? My guess is it’ll be a wash, or possibly lose us a bit of time on an additional scene where everyone gets caught up to everyone else.

I’m excited: this is the most consistent and continual RPG thing I’ve been able to run in over three years – as far as ‘online tabletop’ gaming goes, the tech has finally arrived in my opinion – I don’t know if it’s a golden age for online tabletop gaming, but it sure feels like it.

Fate, The Demolished Ones, Session 4

PHOENIX

After a week off for illness (mine) we’re jumping back into the Demolished Ones tonight, with session five.

While checking up on my notes, I realized I’d never posted an actual play for this session and, with thirty minutes to play time, it’s a bit too late.

Thankfully, there is at least a complete audio and video recording of the entire session. Phew.

Below, I’ve embedded a playlist for the entire campaign’s recordings thus far – the last two are for session four (we had a technical issue that necessitated restarting the hangout). Enjoy! My next write-up will try to sum up both sessions four and five.

Fate: The Demolished Ones, Session Three

“But first, I believe formal introductions are in order.”

The statement hangs in the air for more than a few moments, bringing silence to the booth at the late-night public house.

Finally, [Dave] speaks up: “Victor Edwards.”

I held up a Fate point. “I will give this to you if you now finish the sentence: ‘I think I was…'”

“I think I was…” says Victor, “someone in Her Majesty’s service.”

“Ah,” replies [Kim]. “I’m pleased to make your acquaintance. I’m Ophelia Stevens.” (A name Victor seems to associate with the scandalsheet-populating hijinx of the youthful nobility.)

“Just call me Red,” says Red, and turns to their large companion.

“Barnaby Cornelius Crispin,” he murmurs. Seems he’s got a name that matches his stature.

Once introductions are done and everyone basically shares what they are willing to share. From there, they decide to check out the boarding house for which they have a key.

Situated just south of Eden Park at the northern tip of Merchant’s Gate, the Cassius is an old and respected boarding house fallen upon hard times.

The building itself is a three-story affair with a common room, six guest rooms, and indoor plumbing.

One of the rooms here was apparently rented out by Jack Smith.

Smith’s boarding house room is a humble affair: bedroom/living room/table/everything else. It contains a bed, dresser, wardrobe, table, chair, and lamp. Objects of note:

A Gun
A small, snub-nosed revolver sits on top of a dresser, next to a few playing cards. It’s not loaded. It doesn’t match the holster that Smith was wearing.

memory3

Playing Cards
Five playing cards. The cards are Jacks of five different suits: spades, clubs, hearts, diamonds, and… crosses?

RWS_Tarot_05_Hierophant
The Jack of Crosses. Not this… but basically this.

Literature
There is a flyer for the Society of Free Thought on a small table, just like the one at Smith’s house, except this one is covered with scribbles from Smith.

flier

Photographs
Also on the table with the Society flyer is small a collection of photographs. One photograph is a picture of a symbol carved in stone above a door: an eye in a circle (the same symbol as the one carved in the handle of the supposed murder weapon).

PHOENIX

The other three seem to be surveillance-style photographs of two men meeting.

Off to the Cherub

Once the group feels as though they have found everything there is to find, they get out of the boarding house and head (at Barnaby’s request) to the Cherub, where he remembers being fairly often. Turns out the Cherub is a fairly nice place… where not-nice things are arranged for. Barnaby has the other three taken to a private room, and meets up with a petite blonde woman named Cassiel, who is the Cherub’s ‘fixer’ – someone who sets up wealthy patrons with just the right person for an unseemly job. She’s also ostensibly the sous chef. Life is funny that way.

Cassiel knows Barnaby and seems to have a bit of a thing for him, and is quite willing to help him out with his questions. She recognizes the younger man in the photos – some politician nicknamed “Velvet” – though she only knows that the older guy in the suit and robe is one of the more prominent members of the Society of Conscious Thought, though she can’t say what his name is.

Barnaby gets a few more questions answered and arranges to make contact with Cassiel later, then gathers up everyone else and heads toward the Society of Conscious Thought, with a brief stop to pick up some ammunition for Victor’s recently acquired handgun.

The Society

As befits the hall of an ostensibly secret society, the Hall of Free Thought looks small and unassuming from the outside, with only the Society’s symbol (an eye in a circle) outwardly marking it.

No doorman guards the door, though there is a desk with a receptionist of sorts just inside the door, in the foyer.

Carolyn Flynn, innocent receptionist.
Carolyn Flynn, innocent receptionist.

The inside of the Hall is considerably more opulent than the outside. As much of the Hall is underground, it is a much larger building than it seems to be from the outside. The Hall contains a vast common room furnished with couches, chairs, tables, and a bar. This is where members of the Society gather to see and be seen, and to engage in stimulating conversation. The occasional card game is played here, though high-stakes gambling is strictly prohibited within the Hall.

The four, escorted in by Carolyn, immediately notice the large portrait prominently displayed in the main room, obviously the robed gentleman from the surveillance photos. Carolyn informs them that is “The Beneficient One” – head of the Society.

The Beneficent One
The Beneficent One

The Beneficent One is around, but probably will not be out in the common area tonight, explains Carolyn. Mr. Tock, another senior member, will very likely be out soon, following a meeting, however.

The four basically kill time for a bit, with Mr. Crispin casing the place, Victor sitting down with the younger men playing at cards, Ophelia poking through the bookshelves, and Red getting a drink from the bartender and the other end of the room.

Victor’s learns from the junior members playing poker that only a few rooms past the common room are open to members of their level, with private rooms available to those that live in the House, and even more secure chambers reserved for the senior members who run the Society, such as Mr. Tock and The Beneficent One.

Ophelia spots all of the “six books” she saw at Jack Smith’s house, but not repeated in any suspicous manner. She also spots (and secures) two pages of a rather odd little test, apparently left behind on a small side table.

Mr. Crispin verifies that all the doors out of the common room are locked.

Red is having a frustrating conversation with the barman, who is on his guard and not likely to chat with a patron of the Society, or share secrets about his employers.

An odd thing happens as Barnaby comes over to check in on Red.

First, Red tries to convince him that he really does want to help her and, in the same way she likes to take apart the mechanisms of things they’ve been finding, it seems as though she actually does that – take the man’s head apart a bit and put it together in a way that’s more suitable to her needs.

Something sort of rings in Barnaby’s head when she does this. He leans against the bar, nods to the barkeep, and says “Hello, old friend,” and – just like that, the barkeep is an old friend of his – has always been an old friend of his, in fact, and how could he have forgotten something like that?

Ophelia and Victor notice … something… when this happens, and both turn toward the bar, just as a door into the room opens and a well-dressed man steps through.

Good evening, he says, smiling at Ophelia. “I am Mr. Tock. I hope I can help you.”

Mr Tock
Mr. Tock

And that’s where things ended. Next session: Tonight!


Fate: The Demolished Ones, Session Two

“Anyone know where Beacon Street is?” He looks around at the quiet, fog-shrouded night streets. “Or where we are?”

That’s where we ended session one of The Demolished Ones and, surprise surprise, where we picked up with session two.

I opened this up by informing the players that once [Dave] asked the question, the characters realize they do kind of know where they are, even if they don’t really know why, or have much context.

I played around with this a bit, by asking everyone what specific areas in the city they remember, even if it’s without context.

I also asked everyone (but Dave, who’d already defined this) for a notable item on their person.

  • Dave: A richly appointed sitting room, with dead men lying on the floor.
  • Kim: Carries a parasol. Remembers a very richly appointed sitting room, deeply shadowed, and [Kim]’s feeling here is that she was more a host and less a guest. I add a bit more ‘color’ here, because this plays in really well to my own diabolical plans.
  • “Red” (Amanda): On her person: a derringer in her handbag. Location: A small cottage in a garden.
  • Reggie: On his person: a nice pair of brass knuckles that say “Lucky” along the side. Place he remembers: a shady sort of club – “a place where proper gentlemen go to get improper things done.” I tell him he remembers the name of the place – Old Bollards.
(As a reminder: Dave had selected a pen knife with a wooden in the previous session.)
(As a reminder: Dave had selected a pen knife with a wooden in the previous session.)

The four of them are somewhat lost in their own thoughts, remembering what they remember (or checking their weapons) as they drive to Beacon Street.

They notice quite a few more people walking the street in this area, and a higher police presence. The civilians are dressed fairly well, top hats and tails, mostly, with [Dave] dressed in probably the high-middle range of what they’re seeing in the area, and [Reggie] somewhere near the low end of appropriate, as a well-dressed day laborer (albeit an enormous one, noticeable for other reasons).

They get to 615 Beacon Street but, seeing two uniformed police officers milling about the front door of the house, they keep right on walking, then turn down a side street and take a moment to assess the situation.

Dave wants to have taken a ‘read’ on the policemen, so I have him give a value to his Empathy (and an associated Aspect). He writes down Empathy: Good (+3) and the Aspect “We Are All the Children of Adam and Eve.”

Reggie wanted a quick scan of the actual physical details with the cops, so I have him define Alertness and an Aspect. He selects Alertness: Fair (+2), and an Aspect “Don’t. Trust. Anybody.”

Kim wants to get an idea of how the house might be able to be gotten into, so I have her roll Burglary, which she already has.

Here’s what we get:

  • Dave: The officers are Distracted and Tired, and Dave rolls well enough he’ll be able to take advantage of these aspects, once, for free (no Fate points).
  • Reggie: The officers are armed with Revolvers and Nightsticks, and he’s fairly sure that, while they are trained, he could take them – though he might not want to fight two at once, he could.
  • Kim: She feels she could get in a second story window, but also that there’s probably an alley that leads to a back entrance. She’s quite sure – already – what the interior of a house like this will be.

A bit of planning goes on as they lurk in the side street, and ultimately what they decide to do is have [Dave] go chat with the Police (hoping they aren’t looking for them, specifically), to keep them distracted while the other three sneak into the back of the house and have a look around.

This goes well enough, with [Dave] using the Distracted and Tired to beef up the roll he makes with his (third) new skill – Rapport: Fair (+2), which also leads to him adding a third aspect “The masks go on so easily.” (Love it!)

Meanwhile, [Kim] has led the other two around the back, down an alley. She takes this chance to pick up Investigate: Average (+1) while searching for laundry left hanging out to dry behind a house, which she uses to replace her bloodstained jacket (and adds the aspect “Find out about Others before they find out about You.” Once at the back door of the house, she unleashes her Burglary again, then leads the trio sneaking into the house (picking up Stealth: Good (+3), and the Aspect “Nobody Notices a Child.”


615 Beacon Street

Aspects: Lived In Feel; Something’s Not Right.; Small, dark, and Cramped

The lower floor is mostly just the eat-in kitchen and a front sitting room. Upstairs, there’s a bedroom, study, and bathroom.

“Red” investigates the kitchen, which has no overt clues as to Smith’s identity, though there are some things that don’t quite add up. There are plates in the cupboards, but no dishes. The only drinking vessels are teacups – forty-five of them. The cutlery drawer is all forks. The refrigerator (!) has a bottle of half-spoiled milk, four bottles of ketchup, and stacks and stacks of collard greens. The pantry has one shelf of nothing but canned green beans, and three overstuffed shelves of canned dog food. (There is no other sign of a dog in the house… and no can opener in any of the drawers.)

[Kim] checks out the front sitting room, and finds a flyer for Society of Free Thought, though the unexpected dust in the room makes her rush back to the kitchen for a barely-muffled sneezing fit.

clean flier

[Dave] barely manages to cover up the sneezing from out front, asking the police about why they’re out here in the middle of the evening. One of the police snags a recent newspaper off the steps of the neighbors house and folds it open to the bottom front page.

Hmm...
Hmm…

[Reggie] creeps upstairs and, spotting nothing of note in the upstairs sitting room, moves on to the bedroom, where the wardrobe gives him more than a bit of trouble – the door sticks and he pulls it across the wooden floor somewhat loudly, trying to open it. (Botched untrained Investigate, which he didn’t want to put points into.)

“Red” (and, in a few seconds, [Kim]) rush upstairs as quickly and quietly as they can. “Red” sees what she can do to help [Reggie], while [Kim] checks the study again (noticing that the three bookshelves in the room only have four copies each of the same six books, arranged randomly: Ulysses, Brave New World, the Bible (KJV), Flatland (all used and dogeared identically), and the M-Mi volume of an encyclopedia set.

[Kim] then moves on to check the bathroom, but only has time to note that the room is bereft of any toiletries before the Cursed Wardrobe Strikes Again. “Red” tries to open the other door, which shrieks its unoiled protest so loudly that the police outside decide to investigate.

The three inside race (quietly, mostly) to the back door and manage to get outside just as the police unlock and open the front. They warn [Dave] away and proceed inside… [Dave] makes himself extremely scarce, and the four meet up a few blocks away.


The set out on foot, “Red” (walking with [Reggie]) unconsciously guiding them toward a neighborhood pub. [Dave] and [Kim] bring up the rear, and fall much further behind when [Dave] spots someone in one of the houses along the street watching television in the front room. Black and white television but… yeah. That’s television.

jurassic-park

What’s weirder: that there’s a television, or that they know exactly what it is?

… or that they know it’s wrong.

“Red” whistles for them to catch up and, turning back down the street, nearly collides with a wild-eyed man, reeking of fish. “Red” lets out a startled sound, and [Reggie] interposes himself.

Edward Gray

"The sky is not the sky!"
“The sky is not the sky!”

After a few moments of Edward’s rambling (he’s clearly not well) they decide he’s harmless and, given what they’ve seen in the last few hours, must have noticed how odd everything in the City is and, quite understandably, went off his head.

Sorry, but… the best way to summarize his crazy-talk is to simply refer you to the video of that part of the game session (runs for about five minutes).

After a few minutes of mad, cryptic comments (*points at [Dave]* “You used to work for them, and YOU” *points at [Kim]* “You didn’t work for them, and that’s even worse…”), he runs off down the street, hollering about brain juices and green beans.

Bemused, the quartet makes it the rest of the way to the public house and, holed up in a nice booth with pints all around, share out all the odd clues they’ve discovered (except for the bloody knife, which [Kim] mentions but keeps in her handbag), noting the key and the recurrence of the Society of Conscious Thought (on both the flyer from the house and the “Orphan” news clipping from the warehouse).

A bit stumped, they ponder the key “Red” found on Jack Smith. [Dave] uses a drunkard act and a bit of Rapport to get the bartender to tell them the key engraved with CBH 5 is probably from the Cassius Boarding House. Since it was obvious (to [Kim] at least) that Smith didn’t actually live in the house they just visited, it seems a visit to the Boarding House is in order.

“But first,” says [Kim], “I believe formal introductions are order.”


And that’s where we’ll pick up for Session Three.


Finally, for those who’d like to watch the whole recording, here you go: