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By Jamesmith Ursa, Anchor in Attendance.

Very few have heard of Faringei, a genre of music that flourished in the remote Technological Wastelands Of Iraq? from around 2160* to 2281*. This highly original genre of music began when one of that century's most remarkable men, Kirby Liris?, was exiled to the Wastelands after committing the heinous crime of "illegal tampering with Memetic Encoding? technology", managed to create a crude replication of the technology to continue his work.

The Memetic Encoding? replication, due to a lack of high-quality materials at hand, was forced to run not on the standard empatho-electric energy of the user, but on a bizarre Aetheric manifold system. The result was a memetic encoder that, while extremely powerful, had little in the way of precision.

The first subject of Kirby Liris?'s experiments was a musician, who according to sources had "left the world to find greater inspiration". When Liris finally attached the unnamed musician to his makeshift encoder, he discovered that the distinct lack of resolution meant that ideas and thoughts began merging in a highly original fashion, and when the encoding was played back to another mind, the result was an incredibly intense experience, similar to, but far more mindblowing than, the psychedelic rock concerts of the current prosaic timeline. Thus, he created what is universally considered the first memetic music in the world.

Liris was obviously the frontrunner, but he left for greater things around three years after Faringei music became a hit on the worldwide stage.

SEE ALSO: Aetheric Domain, Kirby Liris?, Technological Wastelands Of Iraq?

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This is an F entry in the Lexicon of the Lost 500 Years