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Fate Accelerated: Trouble Magnet – Kaylee’s Solo Supers Session #6 – Fight Fire

Due to unexpected fallout from last session, Nataly’s brawl with an alien gargoyle got her and her new family put on a blacklist that seems to have made it impossible to find a home in Mercury Bay. Things were looking grim as Matthew and Marilla pondered hitting the road yet again, hoping for better luck in another city.

But they got a surprise a few days later when the motel room’s phone rang. The woman on the other end of the phone spoke for a minute or so with Marilla, who sounded first suspicious, then surprised, then handed the phone to Nataly.

“Hello?”

“Hello, is this… Nataly?”

“Yes.”

“Hi Nataly. You probably don’t remember me, but we sort of … met. I mean… you…” Nataly hears a deep breath, then: “You flew in and stopped that boy who stole my purse, then flew off before I could really thank you.”

“Oh!” Nataly pauses. “I’m sorry, I didn’t know I should have stopped.”

“And I was too surprised to say anything, then. So…” Another pause. “Thank you.”

“You’re welcome.”

“Nataly, I was talking to your mom.” Nataly looks confused, then glances at Marilla, who looks away. “I heard through the grapevine that you were looking for a place to live. Actually, I gather you were looking at one of the apartments in my building, when you came to help me.”

“We’re… having some problems with that.”

“I heard that too,” the woman replies. “I wanted to invite you and your folks to come back over and take a look at that apartment again.”

“Really?”

“Really,” the woman says. “I’m sure we can work something out.”

“The fact is, Mike and I used to date,” the woman – Patricia – confides to Marilla as she walks the trio through the slightly-too-pink apartment again. “We don’t even talk anymore, really, but sometimes he brings people by to see any properties the building has open – I think he thinks he’s doing me a favor.” She shakes her head. “I don’t even own it; I manage it.”

“I’m surprised you had us back here,” Marilla comments, “what with the warnings that have apparently gone out.”

“I said we used to date,” Patricia says. “I’m long past the point where I care much for what that man thinks I should or shouldn’t do. And in any case -” she smiles at Nataly – “how could I not help out?”

The place isn’t perfect: the kitchen isn’t very large, the wiring is a bit dated, and there’s not much room for Matthew to work on projects, but it’s theirs if they want it.

“If you need to keep busy,” Patricia adds to Matthew, “there’s a huge workroom in the basement… that comes along with a handyman position I’d love to find someone for.”

“Well…” Matthew glances at Marilla and Nataly. “I think that’ll do just fine.”

Things settle down into a comfortable routine. Their new home – The Marquis – is a six story building built in the sixties, originally with thirty-six apartments (six apartments per floor, with three on either side of a central hallway/stairwell) but (after fifty years of modifications and tenants merging two or three smaller units) now boasting 26 of varying sizes. Nataly and her new family are on the fifth floor, in a “trio” condo (three old apartments, combined) that takes up all of one side of the floor. All the balconies from what were once three apartments have been combined into one.

(After a week, Matthew’s list of things to fix in the building is enough to ‘keep me busy until the girl graduates high school… if nothing else ever breaks.”)

Nataly starts attending the local public school, and makes friends around the neighborhood (most of the kids don’t know she’s any kind of superhero, and the ones who do (Patricia’s oldest son, a year younger than Nataly) keep it to themselves.

As a matter of fact, no one seems to be that bothered by the idea that there may be a part-time superhero in their midst – a few are especially friendly, most everyone is blandly neutral, and those that don’t seem to like the idea (Mr. Higgins, 1B) simply glare and stay away.

Patricia turns out to be a big help – she’s a bit of a pillar in the community (she *does* partly own the building, after all), well-liked, and a bit of an activist for good schools, walkable communities, and public green spaces.

And the school isn’t bad. Nataly makes a few friends fairly quickly (Kaylee has fun naming and detailing all of them), and things get familiar very quickly. It’s a nice neighborhood, and fairly quiet.

Which makes the sounds of approaching fire engines all the more notable.

The Fire

The kids in Nataly’s grade were on the playground as the fire trucks approached, and everyone crowded toward the fence to watch them pass.

Except Nataly. She was looking at the skyline, and what she saw worried her: it looked like the smoke was coming from the direction of The Marquis.

Since no one’s looking her way, Nataly ducks under the slide, puts up her force bubble, forces it to the light-bending transparency that makes her all but impossible to spot, and takes off, heading for the fire.

For this, I stole straight from the Jason Morningstar’s “Fight Fire” chapter in Fate Worlds, Volume 1 (one of several game settings in the book – this one designed for playing teams of fire fighters – brilliant). Specifically, I borrowed and modified the set-up for a ‘fire incident’ in an apartment building, from page 101:

Aspects: Mid-sixties construction; Not up to code; Reinforced ‘safety’ doors.

People and Circumstances:

  • Crowds in the street — residents desperate for their homes to be saved and most of the neighborhood as curious onlookers.
  • Nobody can find Mrs. Lupo from 6-B.
  • Miguel Flores is trying to break into his ex-wife’s apartment, 6-C, because his 11-year-old daughter Inez may be alone inside (home sick with an ear infection).

Zones
6-A (Void fire)
Situation Aspects: Cheap framing, Locked doors and barred windows
Skills: Good (+3) Spread, Fair (+2) Smoke, Average (+1) Burn; five stress boxes

6-B (Ignition site, Open fire)
Situation Aspects: Cheap framing, Family treasures, Broken fire escape, Locked doors and barred windows
Skills: Superb (+5) Burn, Great (+4) Spread, Good (+3) Smoke, seven stress boxes

6-C (Smoldering fire)
Situation Aspects: Cheap framing, Dripping roof tar, Locked doors and barred windows
Skills: Great (+4) Smoke, Good (+3) Burn, Fair (+2) Spread; six stress boxes

So with a little cribbing from an entirely different setting, we have one of those classics of comic book hero challenges: the burning building. I’m quietly pleased.

Nataly does a quick inspection of the building from the outside, from high up, while the fire trucks are setting up and trying to push back the crowd. The fire seemed to be focused on just one side of the sixth (top) floor. These apartments are some of the least expensive (read: smallest, sixth floor walk-ups, and no balcony except the fire escapes… one of which probably couldn’t safely be used as an escape in the first place). All the apartment windows on this floor are barred (why, this high up, Nataly can’t guess), so she enters the building through a window that opens onto the hallway that runs down the center of the floor.

Through the haze of smoke, she can see Mr. Florez at the end of the hall, trying to break open the reinforced safety door on 6-C. She approaches, and he’s so distracted that he doesn’t see her until she’s standing next to him. He’s not making any headway on the door.

He tries to get her to leave.

She blasts the door off its hinges, and he shuts up in a hurry.

The two rush into the room. The smoke is thick (Nataly takes some stress), but the gush of new air into the space luckily doesn’t cause the fire to flare up. Inez (age: 11, “one grade ahead of Nataly, but nice to younger kids”) is crouched in the bathroom tub, but otherwise okay. Nataly gets them both heading downstairs as fast as they can.

Now would be an excellent time to leave, but while circling the building, Nataly had heard several people mentioning the missing Mrs. Lupo, and knows she has to check her apartment before she can go. She does the trick with blasting the door down from the hallway again, but this apartment is a much different situation: the source of the fire, the apartment crawls with flames that reach for Nataly as soon as the door opens. Her force shield barely holds, and this is from the doorway.

Still, she tries.

The apartment is small, and doesn’t take long to check – Mrs. Lupo isn’t there, pretty much the only thing not on fire is an old piano in the living room, covered in framed photos.

Nataly is almost out of stress, and is coughing violently from the hot air (Minor consequence), but decides to take a few more seconds and at least save something from the fire. She scoops up all the photos into a second bubble and knocks out the nearest window to escape. The rush of air gives the fire new life, however, and the heat is more than Nataly can withstand – she flies through the hole on fire, barely under control, and (shouts and screams echoing from the street below) crashes onto the roof of the building across the street, still cradling the photos in a force bubble and her burned arms (moderate consequence).

The fire fighters take it from there.

Nataly requires some medical attention, but she’s reported as ‘a child trapped in the fire,’ and no one asks too many questions. Around the Marquis, no one needs to. Flowers, small gifts, cards, and “irresponsible piles” of candy (in Marilla’s words) appear at their apartment door. Mrs. Lupo (who’d been visiting her sister across town) comes by every afternoon and helps Nataly keep up with her homework.

Mr. Higgins isn’t any nicer, but that’s just Mr. Higgins.

And now you’re all caught up to where Kaylee and I are, so far. We have Nataly set up in a new home, with a base of operations, friends and family, and things to fight for. I love the way this has played out so far: it feels a bit like the apartment block in the new Hawkeye series, mixed up with a little Runaways and maybe Zita the Spacegirl.

What’s next?

I tell you, I just don’t know where to start: there’s just so much cool stuff we can do.

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Fate Accelerated: Trouble Magnet – Kaylee’s Solo Supers Session #5 – Blacklisted

At the end of our last session, the hunt for a new home in Mercury Bay hit a snag when Nataly, Matthew, and Marilla (plus the realtor) were attacked by a creature that basically looked like a stone gargoyle and seemed to be looking for (and angry with) Nataly.

Nataly, of course, has no idea why.

There isn’t a lot to write about this session as it was:

  • Fairly short.
  • Mostly the fight between Nataly and the gargoyle creature, which I didn’t take notes on to the point where I can recount it round by round.

The “Gargoyle”

Unbeknownst to Nataly, this creature is actually a recent arrival in Mercury Bay – specifically, he arrived via that weird geode meteorite that came down a few nights ago (early last session). The fact that the thing hit the ground a few hours after Nataly and the M’s arrived in town is not a coincidence.

For stats, I basically stole an entry on The Nebbishter Glee on Fate SF (which has posted some really great Warhammer 40k stuff for FAE). My version looks like so:

Space “Gargoyle”

ASPECTS:

  • High Concept:Waist-high semi-intelligent demons
  • Trouble: Vulnerable to mind-affecting and magical attacks
  • Aspect: Greedy opportunist
  • Aspect: A propensity to replicate
  • Aspect: Cat-ape-dog-demon hybrids

APPROACHES

  • Careful: +1
  • Clever: 0
  • Flashy: +1
  • Forceful: +2
  • Quick: +2
  • Sneaky: +3

STUNTS:

  • Easy to Overlook: Take a +2 to Sneaky to be mistaken for statuary.
  • Remix: Once per session, I may sample the DNA of another living creature and produce another of my kind with a unique Aspect and Stunt inspired by that sample.
  • Replicate Servant: Once per session, I can produce a mook minion via replication.
  • Tough Little Critter: Once per session, I can become immune to a Forceful attack that would otherwise damage me.

REFRESH: 2

This little DNA-thief had one goal in this fight: bite the telekinetic space princess.

The fight made… a bit of a mess. Nataly told Matthew and Marilla to get the realtor into the back room, and tried to keep the gargoyle thing in the front rooms (not difficult, since it wanted to bite her anyway), but between the thing’s strength and mass and Nataly’s tendency to use hurled balls of telekinetic force, about sixty percent of the apartment was “remodeled into an open concept layout” in just under a minute. Oops.

The fight ended when the thing (having successfully given Nataly a Minor Consequence from a bite) leapt back onto the balcony and skittered off down the wall (they can’t actually fly… yet).

Fallout

The realtor was, putting it mildly, upset and shaken by these events. They didn’t realize how shaken until they tried to get in touch with him the next day and were informed he’d filed for a retraining order against the three of them. They sought someone else to help them find a home, but no one would talk to them: the realtor had been busy calling everyone in the real estate business in Mercury Bay (both realtors and those with property available) and urging that Nataly’s family be black-balled.

We ended the session as Marilla hung up the phone, turned back to them, and said “We may need to move. Again.”

Note: During this session, Nataly finally got her fifth aspect, which (I think) will be darned useful (for both Kaylee and me) in the future.

Aspect: Matthew and Marilla are always there for me.

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Fate Accelerated: Trouble Magnet – Kaylee’s Solo Supers Session #4 – “House Hunters Supernatural”

I’ve been remiss in my actual play reports.

During the summer, Kaylee and I started up a solo supers campaign, and while I wrote about the first, second, and third sessions, I have definitely not been keeping up with current events.

Session Four

As you may or may not recall, soon after (suspiciously soon after) Nataly found a strange bracelet among her personal effects at the orphanage where she lived, the orphanage was visited by a man named Matthew who was interested in adopting the young girl. His paperwork was entirely in order, his references were – frankly – amazing, and before long Nataly was off to an idyllic childhood in the countryside with Matthew and his sister, Marilla.

It was not to be.

After an afternoon in which Matthew and Marilla encouraged Nataly to explore the farm (and the powers that had appeared when she first donned the bracelet), the farmhouse was set upon in the dead of night by strange mechanical spider creatures that proved remarkably resistant and quite… numerous. The trio fled the farm and Marilla (who seemed entirely familiar with the creatures) muttered something about how, in hindsight, it was obvious something like that would happen. “There’s no way you could miss the girl out here in the middle of nowhere – we need to go somewhere where there’s more interference – where she’s less likely to stand out.”

Matthew nodded, and turned onto the interstate highway that would take them to the coastal city of Mercury Bay.

Nataly’s new guardians put them up in a low-rent hotel the first day arrived, but started talking about a ‘proper home’ as soon as they’d unpacked. They seemed to have a budget that would allow them a decent place, even in the heart of the city, though Nataly couldn’t figure out how they earned the money: neither seemed to have a job.

As a matter of fact, neither seemed to be that surprised by the fact she could fly or hurl blasts of pure force… Hmm.

Nataly grew somewhat bored with the conversation and stared out the window at the dusk-shrouded city in the distance. She had a front row seat for the streaking falling star that seemed to crash into the ground somewhere between their motel and the city.

“I’m… going to go for a fl- walk,” she said.

Matthew didn’t like the idea, but Marilla was more sanguine. “Go ahead, girl. Be careful, of course, and don’t stay out too long.” To Matthew’s look, she replied. “She can’t stay locked up in a tower; that’s how everything went wrong in the first place.”

Nataly frowned, but left without asking any questions.

Once out of sight of the room, she took to the air, wrapped herself in a force bubble that would diffuse and distribute light, and headed toward the site of the meteor impact.

She wasn’t the only one. Dozens of emergency vehicles surrounded the area, their lights flashing in the gloom, and a number of emergency floodlights were focused on the small crater at the center of the chaos. The object that had fallen appeared to be stone of some kind: melted to slag by the heat of reentry, and cracked in half but (and this was very odd) apparently hollow, and lined with crystals, like a geode.

Almost big enough for someone to lie down in, isn't it?
Almost big enough for someone to lie down in, isn’t it?

It’s interesting, but not something Nataly can do anything about right now – her force bubble makes it hard for people to see her, but she’s not invisible – someone would notice the strange visual distortion hovering over the geode if she gets any closer, so she heads back to the motel and goes to sleep.

HGTV

The next day, Matthew and Marilla start looking for a new home and Nataly, a veteran of hours and hours spent watching HGTV in the orphanage rec room (their activity leader pretended it was good for the kids), is ready to offer her studied opinion on curb appeal and ‘must-have features’.

In fact, the girl actually sits the two adults down and makes them itemize a list of things they want, before they meet with the realtor so ‘we’re all on the same page and don’t end up looking at things we don’t want.’

[It *could* be Kaylee has seen more than a few dozen House Hunter shows herself, and that her GM specifically built this bit of the session to play to that. I need to see if I can dig up the ‘shopping list’ she put together at this point.]

The trio meets with Mark, a slightly oily but earnest realtor, who pats Nataly on the head and then generally ignores her. Looking over Matthew and Marilla’s somewhat homespun attire, he takes them first to a lower income neighborhood and a roomy but fairly dated (and pink) condo on the second floor of a four-story building. I describe the neighborhood as quite similar to the area of Queens where Kaylee and I have been many times. Nataly points out the items on the list where the ‘apartment’ fails (galley kitchen, no work space for Matthew’s projects) and steps out onto the balcony.

… where she can hear someone shouting, then shouting for help.

She glances back into the room, sees that the adults have wandered back into the private rooms, and leaps into the sky.

The situation is simple and straightforward. A woman in her late thirties, with a baby stroller, has apparently just had someone run off with her purse. Nataly barely slows down as she takes them in, then tears off through the air in the direction the woman is looking. A few swerving corners and she sees the (young) man running down a narrow street.

It isn’t even a fight. Between one step and the next, Nataly encases him in ‘basically a giant hamster ball’ and lets it bounce down the street until the guy inside is all but unconscious. She then picks the whole thing up and carries it through the air in front of her as she flies back to the woman.

By the time she gets back, there’s a sizable crowd (the woman is apparently well-known in the neighborhood), and while people are surprised to see a ‘hero’ in street clothes, no one screams or faints. A few even clap when she dumps the thief and the purse in street in front of the stroller. The woman gives Nataly an awkward hug, as though unsure if she should, and Nataly takes off, suddenly self-conscious and aware that she’s been gone long enough to be noticed.

Which Marilla certainly did. She gives Nataly an arched eyebrow as she lands on the patio. Matthew is keeping the realtor distracted with talk of old wiring and fire concerns.

House number two is far roomier, with a nice backyard, but is far from the city and (muttered by Marilla) “nowhere near the activity the girl will need to keep from being noticed.” The realtor can’t understand their reluctance, and spends quite some time trying to sell the adults on the house. Nataly heads to the backyard and, poking around, is surprised to hear a voice from behind her, almost repeating Marilla’s words.

“You need to work a little harder on not being noticed.”

She turns as a man vaults over the backyard fence. Dressed in cape, mask, and cowl, he could not look more out of place in this bland suburban area, but somehow he’s too serious to look ridiculous.

Nataly stands her ground. “I don’t know what you mean. And who are you?”

He ignores the question. “Hovering over the crash site last night. Dropping off a purse snatcher in front of fifteen witnesses with five actively recording smartphone cameras.” He crosses his arms, and she notices a pair of batons at his waist. “Unless you’re trying to draw attention or lure someone into a trap, you need to start thinking about lowering your profile.”

Nataly, not sure what to say, remains silent.

He doesn’t seem to expect this, and squints at her. “Are you trying to lure someone into a trap?”

“Maybe.”

He tenses. “Who?”

She says nothing, and he snorts and nods. “Fine. Still…” He reaches into one of the dozens of pouches on his belt and pulls out a swatch of black something. “It won’t hurt to keep your identity under wraps, unless you want your… guardians… to inherit your trouble.” He hands her the item.

She unfolds it and stares at the soft black domino mask.

“What -” she looks up, but the red-and-black suited stranger is gone.

In the distance, she hears a motorcycle engine roar to life.

Home #3 is yet another wild departure from the previous offerings – the realtor doesn’t seem to know what to make of this odd family. It’s a well-appointed condo on the thirtieth floor of a high-rise overlooking the city’s titular bay. Fancy, to say the least, and while it doesn’t have any place for Matthew’s ‘projects’, it easily ticks off the other boxes on Nataly’s list.

Everything is looking good, until a shadow darkens the french doors leading onto the patio and something crashes through the glass and skids to a stop in the middle of the (furnished) living room.

A squat, ugly, stone gargoyle unfurls its wings as it rises from its crouch, points a gnarled, clawed finger at Nataly and growls “YOU!“

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Business End of a Boom Tube – FAE Supers Gaming with my Family, Part Four (of Four)

First, a disclaimer: I’m not very good at Fate.

There are players out there who can wave their hand, summon up ever-folding images of the Fate Fractal to illustrate off-the-cuff google+ posts, and write up detailed hacks for the core rules three times a week.

That’s not me. I’m running these supers games using nothing but the rules in the book(s), without any variations.* I basically ignore things like the “Extras” chapter in Fate and FAE, and mentally summarize the whole chapter with “Sometimes you’ll want the game to do something a certain way that is different than anything else in the book, and if so, that should cost something.”

(* – No variations that I’m aware of – it’s possible that stuff from older versions of Fate have crept in, but if so I haven’t noticed and didn’t do it on purpose.)

The reason I bring this up is that, in this section of the game, there were a couple of situations where I wanted specific effects, and set up stuff in a way to make that happen. In hindsight, I can see ways I could have elegantly applied existing rules to accomplish the same thing, but the actual solutions I came up with on the fly aren’t lovely crystalline matrices – they’re rickety Rube Goldberg machines that held together only so long as I kept thinking about them. I don’t recommend replicating some of the stuff here, verbatim.

Unless you think it’s cool. In which case, go ahead.

Now then, where were we?

We we last left our heroes, they’d just recovered most if not all of their memories of abduction by Braniac’s troops, and now knew that if they didn’t get off this ship soon, their friends and families were probably dead (or digitized and deleted, which amounts to the same thing).

Grim and determined, they ask Oracle for a new destination – someplace they can go to stop the digitization of their home neighborhood.

Oracle does a bit of searching – really all she seems to be able to do inside Brainiac’s system right now is find information; her access is too limited for serious hacking – and gives them a new direction to head: a control center located near the center of this section of the ship.

They proceed, and hit their first barrier in the form of an Automated Security Checkpoint in the next Junction Chamber.

Junction Room [Ugly Ver 1]

Characters need to make Good forceful overcome rolls to act each round (roll at the start of the round). If they don’t, they can’t move (defend, whatever). This is because of the Robotic Brain in the center of the room. The brain’s in an invulnerable forcefield and can’t be harmed.

At the start of the second round, three-unit squads of sentry-bots start showing up (3 stress for each squad, +2 at the stuff they’re good at, -2 to stuff they aren’t good at). They don’t have to make Overcome rolls to act.

If, in any round, all the heroes managed to overcome successfully, the Brain shorts out for a bit, and the forcefield drops for a round. The brain has 4 stress and, if destroyed, stops summoning patrol squads.

Or, you can do it this way:

Junction Room, [ver2]

Zone Aspect: Immobilizing Telekinetic Field (Allows Brain to forcefully Defend against any enemy action in the room.)

Brain in a Jar
Aspect: Telekinetic Construct
Forceful: +2
Stunt: Forcefield – Armor:4 versus all physical and most energy attacks. Does not work if Brain has Aspect: Shorted Out. If I am defeated “with style” on an Overcome vs. my Defend, I gain the Aspect: Shorted Out for one round.
Stunt: Summon Bots – Because I am a security construct, once per round I can summon a security bot patrol to the room.

Security Bot Patrol
Forceful: 2
Stress: 3 (Collective for group of three)

There are probably better ways to do it, but whatever.

Anyway, the trio enter the room. Due to her native telekinetic abilities (and related stunt), Angelia is able to forcefully overcome the telekinetic field immediately. Anna struggles but manages to keep moving by focusing on rescuing her parents (fate point and her new aspect), while Mikenna is basically immobilized.

The doors across the room open, and a trio of security bots march in and open fire. Angelia deals with them while Anna tried to freeze the metal Brain in the middle of the room on a pedestal (to no avail).

Angelia clears two of the three bots, but the remaining soldier gets reinforcements as three more bots rush in through a side entrance. Anna hurls ice at them to help out Angelia, but the girls are clearly struggling. Mikenna still can’t move.

On the third round, the bots are building up, and Anna is struggling to keep moving against the telekinetic force blanketing the room. Mikenna musters everything she’s got and manages to break free of the telekinesis. This added resistance shorts out the Brain for a few seconds and Mikenna takes that opportunity to turn the gold-plated bit of machinery into a non-functional pin-cushion. The telekinetic field drops, and the kids make short work of the remaining bots.

Alarms start sounding, and a stentorian voice starts droning about escaped prisoners needing to be stopped – converge on the control rooms – et cetera.

The kids battle toward the control room, moving fast so that resistance can’t get organized, and storm inside. Oracle has explained that, based on schematics, she thinks there are four ‘connections’ between the ship and a shield generator that, if disabled, will allow her to send reinforcements to them via Boom Tube (whatever that is).

It turns out that the four ‘connections’ are a bit more robust than that: four giant bolts jut from the floor in the large room – all of which need to be destroyed. They’re about this big:

AthertonBolts

Also, there’s a big combat-grade command bot in the center of the room where Oracle’s schematics say a “control unit” should be:

Brainiac_Ship_Guardian

Finally, while they entered from the ‘south’ and jammed the entrance, the other three walls in the room are deep alcoves that basically look like teleporter platforms – looks like a great way for reinforcements to arrive.

“So, what do you do?”

At this point, they group tries a number of things, but the situation quickly stabilizes to a number of key facts.

  1. A squad of three patrol-bots (same stats as the Junction Room) shows up on each of the three teleporter pads, every round.
  2. The Command Unit (+3 to everything relevant, 3 stress and full consequences) has a force field basically as tough as the one around the Robot Brain from the Junction Room. (Armor:4, but only active if the Command Bot’s declared action for that round is a Defend, otherwise it’s down). He can basically be ignored for now.
  3. The big bolts are very difficult to damage.

Round 1

The kids decide the reinforcements need to be dealt with.

Anna puts up an Ice Wall covering the ‘mouth’ of one of the teleporter alcoves. (I just made a … thing … Barrier? that the bots had to destroy to enter the room, with stress equal to Anna’s successes. That’s old-Fate thinking, probably: should have just made it a means for her to active defend against them entering the zone.)

Angelia blocks a second alcove with a force wall.

Mikenna fills her alcove with arrows and mows down the reinforcements there.

Round 2

Anna ices over the alcove that Angelia had before. Mikenna keeps firing on her alcove, and Angelia tries to unscrew one of the massive bolts with her telekinesis… unsuccessfully. (I decided to do some kind of ‘gradual success’ thing here, and didn’t have time to look up to see if that’s a thing that exists in Fate Core, so I just give decided on a total number of successes she needed to accumulate to totally unscrew the thing.)

Round 3

Anna ices over the third teleport node. Mikenna takes pot-shots at the Command Unit, but does nothing. Angelia keeps twisting.

Round 4

Anna and Mikenna team up to freeze and damage another bolt. This kind of works, but… reinforcements are slipping into the room through the shattered ice walls.

Round 5

Anna reinforces the ice walls while Mikenna cleans up the bots that got through. Angelia gets a bolt loose and starts on another.

Round 6

Anna, from this point on, is basically playing a game of ice-blaster whackamole with the ice walls, reinforcing whichever ones seem closest to going down. It keeps the others clear to act.

Mikenna finishes breaking the damaged bolt.

Angelia makes major headway on the third bolt.

Round 7

Angelia gets the third bolt free and turns to the fourth-and-final. Mikenna is assisting Anna.

Round 8

The Command Bot drops his shield and starts powering up a MAJOR blast at Angelia’s back (one round to build up an Advantage first). Mikenna fires a couple shots at it.

Round 9

Angelia has the bolt loose!

Mikenna defends Angelia from the Command Bot’s blast, taking the hit herself for a Moderate Consequence (burned torso).

Oracle hollers “Shield is down! Reinforcements incoming! (pause) I can get into their servers! *gleeful cackle*”

Round 10 (and after)

A boom tube opens, and through it comes Wonder Woman, armed with sword and shield, armored in red and gold. She takes in the room at a glance, nods to the three holding back Brainiac’s troops, and says:

“We must hold this control room until Oracle has done her work.”

She leaps across the room and buries her sword in the chest of the Control Bot, then turns.

“Will you fight with me?”

Yeah. Like she needs to ask.

The rest of the battle is a blur. Mikenna runs out of arrows and resorts to hand to hand. Angelia is smashing swaths through the incoming troops with the shattered halves of the broken bolt. Anna freezes robots solid until there is literally no more moisture left in the air to crystalize.

And still they come. And die, and die.

Finally, they hear that same voice – Brainiac’s voice, they now realize – call for a retreat. Announce evacuation. Flee.

They win.

Wonder Woman tells them they can’t use the Boom Tube to exit the ship (Watchtower security clearance only), but helps them hurriedly clear a teleport pad that Oracle has commandeered.

Its destination? Their home neighborhood – the massive shield unit, tumbling from the ship, destroyed the magnetic jar below the ship, freeing their friends and family.

They arrive in the middle of the street, covered in ice crystals, sweat, blood, grime…

… and drowning in the cheers of those who know them best.

Every one of us, sitting at the table, is grinning from ear to ear.

It’s a good day to be a hero.

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Garbage Disposal – FAE Supers Gaming with my Family, Part Three

In the last session with my niece, nephew, and daughter, the three young heroes were sneaking through the ship on which they’d found themselves following some kind of abduction they couldn’t remember.

Thanks to Angelia, they’d slipped out of the main corridors and into access passages that helped them avoid most of security patrols. Talking with Oracle (the voice on their earbuds) about what they could and couldn’t remember, the kids were able to recall they’d kind of known each other ‘before’ (and pick up Aspect to match this knowledge), but that was about it, so far.

They found their way to a choke point in the ship’s construction – a large room they needed to get through to reach the ‘transport’ section of the ship and, hopefully, escape. Stealthily scouting the room, they could see it was some kind of ‘trash reclamation’ chamber currently crowded with “Overseers”: a sort of commander-level robot that, according to Oracle, would be a challenge even if there were only one.

Meanwhile, Angelia had noticed that there were a couple warning lights blinking on the control terminals in the room. After working out what the lights are supposed to mean, she Cleverly deduced all the trash delivery tubes for the room are currently locked, and the supply of various kinds of trash were building up in the massive tubes overhead.

“What’s in each of the tubes?” Jadyn asks me.

Garbage Disposal

I work out a quick list of tube contents.

  • Tube 1: Rotting and liquid food waste.
  • Tube 2: Automobiles and other large mechanical devices.
  • Tube 3: Scrap metal.
  • Tube 4: Chemical waste.
  • Tube 5: Pillows and mattresses.

(Tube 5 got a muttered “Seriously?!?” from my niece as she peered at the list.)

This room wasn’t really meant to be a fight, or even a point to engage the dice – it was more of a puzzle solving challenge in which pretty much anything would work and the GM (me) was just curious what they’d come up with. Basically, anything they decided to do to clear out the Overseers would work if it made any kind of sense at all – the main question was what sort of consequences (Aspects) would they have to deal with in the room, afterwards, when they tried to cross it.

After some debate over the use of the Chemical Waste (and a few ideas in which they tried to use every tube, no matter what), they decided to empty the tubes onto the Overseers in the following order:

– Tube 3: Scrap metal.
This would introduce a lot of sharp ‘stuff’ that could damage the bots.

– Tube 2: Automobiles and other large mechanical devices.
They saw the main value here as being the weight of the stuff: dropped on the bots, with the scrap metal already in place, would, they felt, either puncture or rupture their outer casings. Then…

– Tube 1: Rotting and liquid food waste.
It was a toss-up between this and the chemical waste, but in the end they went for this tube because (a) it would be likely to seep or pour into the damaged bots and cause shorts and (b) while gross, wouldn’t turn the whole room into a chemical hazard they had to get across.

The tubes were opened, stuff fell with clangs and crashes and lots of sloshing and squishing, sparks flew, and the room was full of the smell of rotting garbage and fried wiring.

The kids made their way through the piles of junk (or over and around it in the case of Angelia and ice-sliding Anna). Oracle assured them they were almost to the hangar. Anna keyed the switch for the big door leading out of the room, which slide open to reveal a Master Overseer coming to investigate the disturbance.

Cunning, observant, and clever; Intimidating size; Heavy front armor plating
Skilled (+3) at: commanding security bots, blaster cannon, forceful defending, assessing tactical situation, strafing zone with missiles

The kids scattered, Anna throwing up a quick ice shield and rolling to the side as the Overseer let off a series of plasma blasts.

Anna
Stunt: Because I can make snap-freeze shields, I get a +2 to quickly defend against physical attacks.

The overseer stomps into the room, coming about halfway through the hatchway, and blasts out an order that all prisoners surrender immediately.

Angelia, already used to throwing around heavy objects, tried to hurl the thing to the side, but the Overseer was braced and clinging to the deck and couldn’t be moved. Mikenna tried a few exploratory bow shots, but couldn’t get anything through the Overseer’s defenses. Anna slipped past the Overseer and into the hallway beyond, verifying that the nearest hangar was only a few hundred feet further along, but couldn’t figure out how to get her friends into the passageway, past the giant robot.

What followed was a few rounds of the Overseer proving Oracle right – it definitely was not the sort of thing the young heroes wanted to fight, if they could help it. Mikenna, dodging nimbly, was still unable to entirely avoid the thing’s plasma blasts and picked up several Stress hits and a “twisted knee” Minor Consequence. Angelia’s force fields handled the blasts a bit better, but she was still accumulating Stress. Anna avoided the worst of these attacks, but working on her own, her ice couldn’t do anything significant to the Overseer.

Once again, the kids ran through their (choose who goes next) initiative in such a way as to allow the Overseer the last action in a round, followed by it giving itself the first action of the next round. It took advantage of this by (first) blanketing the room in withering missile fire (successfully creating an advantage on Angelia of “pinned down”) and then Blasting her with everything it had. The force bubble held, but Angelia was driven straight down into trash and waste, sinking into and being swallowed by the muck.

Given the not-so-subtle example of the benefits of Create Advantage, the kids started working together.

The most memorable bit in the rounds that followed was Angelia rising up out of the trash with a MASSIVE ball of muck and gunk over her head and burying the Overseer in the stuff. Anna froze the whole mess solid, then both Mikenna and Angelia shattering pieces of it.

The end of the fight came as Anna and Mikenna were taking turns freezing and shattering pieces of the robot while Angelia used her telekinesis to ‘Pin Down’ the bot: it looked like it was going to get another big attack, but Mikenna managed to get an attack success JUST big enough to be impossible to handle with a combination of Stress and Consequences – the Overseer collapsed and shorted out. The kids managed to make it out with Stress and only Minor Consequences, though it was touch and go for a bit, and all three were completely out of Fate Points (I was treating the whole ‘escape from the ship’ as a single scenario, so breaks between play sessions didn’t refresh their pool).

Anna and Mikenna also picked up their last Relationship Aspects.

Mikenna
– Anna is too young to be put in danger.

Anna
– I will prove (to Mikenna) I’m a hero, just like everyone else.

The trio made their (limping) way out of Garbage Disposal and down the hallway, with Oracle telling them that the ports up ahead should give them a good view of the ship’s nearest hangar.

Unfortunately, the hangar was occupied.

Specifically, it was occupied by rank upon rank of the smaller “security” bots, larger humanoid combat models they hadn’t encountered yet, and dozens of overseers.

“That must be the whole invasion force for this ship,” said Oracle.

The Classic Flashback

This is where we pulled away the last remnants of the amnesia. They all remembered these forces. They remembered what had happened.

Ships had appeared, months ago, over many major cities through the world. New York. Chicago. Gotham. Central City. Mercury Bay. And, of course, their own home of Metropolis. Sections of each city were surrounded – encased, actually – in weird energy fields: gigantic forcefields that not even superheroes like Wonder Woman seemed to be able to do anything about. Worse, if the bubbles stayed up for too long, they would fade away and the area they’d bottled was just… gone. Erased. Deleted.

The news called them “jars,” and said that the attacking force was run by someone called Brainiac.

Still, it didn’t seem to matter that much from day to day. Even the areas in Metropolis that had been encased were far away from their home neighborhood – those were wealthy, important parts of town, and they lived in a low-income project – not even an invading alien would care that much about them.

Then something happened. The news started talking about new heroes showing up – helping the well-known heroes with the defense of Earth. People started noticing friends and neighbors with strange new abilities.

Then a bottle swallowed their neighborhood, followed almost immediately by Brainiac’s troops, dropping out of the sky like a storm, ordering everyone into the streets for ‘inspection.’

Everyone was scanned.

The kids remembered the scanners beeping when they were pointed at each of them. The light on top pulsed – the Collectors said something like “exobyte detected”… and everything went black.

They’d gotten powers.

And those powers had called Brainiac right to them — had dropped a jar over their friends and families — had started a timer ticking. Very much longer, and the only home they’d ever known would just be… gone.

I pointed to the last blank on their character sheets and asked each player to write down an Aspect that covered their reaction all this.

Angelia, the natural leader, started working on a plan:
– Aspect: We’ve got to get that Jar down before it’s too late.

Anna was more personal:
– Aspect: I will get my parents back.

Mikenna, thinking about it for longer than the others, rejected the personal or tactical for big and angry:
– Aspect: Brainiac needs to pay.

The mood at the table changed dramatically. They weren’t scrambling for an escape route anymore: they were looking around for something to break.

Needless to day, I was very impressed with how each character had come together. Treating the whole flashback as a refresh scene, I told all three players to reset their Fate Point totals to 3 and clear their Stress and Minor Consequences.

“Okay,” they asked Oracle. “How do we stop this?”

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“We’re on a Ship?” – FAE Supers Gaming with my Family, Part Two

[Not a lot of dice rolling and no fights in this one, but good character building stuff.]

When we last left our heroes*, they’d just beaten down three guards and escaped from the “science tube” room where they’d been held in some kind of suspended animation. Rather than going out through the main exit that their mysterious ‘voice in the ear’ benefactor had provided them, however, they’d slipped out through a maintenance hatch that Angelia (Jadyn) had discovered, and were now crouching in a narrow passageway, next to an access terminal.

(* And we the players did actually leave them for awhile – this game took place over the four days my niece and nephew were in town. After the first fight, everyone crashed for the night and just left everything where it was on the gaming table. Being able to do this is, in fact, why we *have* a dedicated gaming table.)

“I wasn’t expecting you to find another way out of that room,” says the voice in their ears. “Heck, I didn’t even know there was another way out: the schematic I’m working with only shows the public corridors – it must be something they use for the patrol and security robots, so there’s a good chance the guys with guns don’t have any idea where you are right now. That’s good news, since it means I can get you a lot closer to getting off that ship without alerting more guards.”

“We’re on a ship?” Mikenna asks.

“Of course we’re on a ship,” Anna pipes up. “Can’t you tell? We’re probably in deep space right now.”

“Actually…” says the voice on their ear buds. “You’re not, though you are pretty far up – directly over one of the…” There’s a pause. “Is… any of this ringing any bells? We’ve had problems with amnesia from some of the people we’ve freed in the past.”

No on says anything.

“Riiiight,” the woman on the other end says. “Well… is there anything you *do* remember?”

So we talk a little bit about what the characters know about themselves and what they know about each other. I encourage really sketchy levels of detail. The kids determine that Angelia  (Jadyn) knows both Mikenna (Malik) and Anna (Kaylee); Anna knows Angelia, but only knows of Mikenna; Mikenna recognizes Angelia, but doesn’t know Anna at all.

Anna is eight, Angelia is 14 (a freshman who’s been taking high school classes for the last two years), Mikenna’s a junior.

At this point, we stop to talk a bit more about Aspects and what they do. Once that’s covered, we talk about the High Concept aspect they all already have, and what the other Aspect ‘slots’ are for.

  • High Concept (already covered)
  • Trouble Aspect
  • Relationship with Other Character 1
  • Relationship with Other Character 2
  • Something I’m not talking about yet.

I ask the players about Trouble Aspects and if there’s any sort of Aspects of their character that, while sometimes useful, tends to cause them problems more often than not. The kids, perhaps unsurprisingly, immediately get this concept. Kaylee already has one written down (Bites Off More Than She Can Chew, another expression of the character quality at the core of her first stunt), and with that example, it’s pretty easy for the other two kids to come up with something.

Angelia: “Wait a minute, let’s think about this…”

Mikenna: Good with crowds, bad with people.

I’m really happy with all three of these as Trouble Aspects. To be honest, they’re probably the best examples of these types of aspects that I’ve seen, let alone gotten to play with first hand; they’re absolutely doing their “first job” of giving me an easy level to pull that will reward the player with fate points, but they’re also actually useful – every one of them can be used to legitimately provide benefit in certain situations, and that’s so often not the case with Trouble aspects.

We also take a look at the information they came up with earlier about each other, and look at relationship aspects. Jadyn already has one written on Angelia’s sheet (I look out for Anna), and based on that the girls decide that Angelia babysits Anna sometimes.

From that, Kaylee writes down her first Relationship aspect: “Angelia is like the big sister I never had.”

Malik and Jadyn talk about their situation a little bit more, working out that Angelia is one of those kids that kids her own age don’t like because they’re taking advanced classes, and that older kids don’t like because the younger kid is showing them up. The kids work out that Mikenna is getting secretly, informally tutored on math and science by Angelia.

None of them really remember what happened, or how they got where they are right now, or much about anything or anyone beyond the people they’re looking at, but they remember a little.

Malik writes down: “I trust Angelia with the ‘brainy stuff.'”

A fascinating dynamic develops out of this, in that Angelia (the ‘middle’ kid, both in the game and at the table) is essentially the leader of the group.

I’m happy with getting the trouble and the first relationship aspects down at that point, so when the kids struggle with their second relationships, I wave that off for later and move things along.

“Okay, this is Oracle again,” say the voice in their ear buds.

‘Oracle?’ mouths Mikenna. Angelia shrugs.

“I’ve been going over the schematics for the tunnels you’re in, and I think I’ve found a way to get you closer to one of the hangars, which should be the best way to get you off the ship.” The maintenance screen they’re crouched next to light up with a map, and a series of passages light up. “Follow this route, and that should get you almost all the way there without you needing to go back into high-traffic areas.

“Almost?” asks Mikenna.

“Yeah… there’s a little bit of a problem, but let’s get you moving for now.”

The trio heads out, and traverse a fairly large distance without any problem (bypassing about a half-dozen rooms I’d sketched out encounters for and now discard, unmourned). Oracle brings them to a room with a round shaft leading down.

(This is something I’ve put in place to encourage the players to come with some kind of ‘movement power’ for their guys.)

“You need to get down to the bottom of their shaft,” says Oracle, “but it’s quite a ways down – don’t just jump.”

“How about we slide?” say Anna, and creates a kind of ice platform anchored to the side of the shaft, steps onto it, and starts building the platform down like a large spiral slide. Pretty normal ice-guy thing, but new to the players, so we do some rolls to control the descent and keep from descending at an out of control speed.

Meanwhile, Mikenna has pulled a line out of her utility belt, and is using it like a abseil/zip line, while Jadyn describes Angelia getting down by holding onto the walls of the shaft with her telekinesis and lowering herself that way.

I point out that anyone looking at Angelia would think she was just flying down slowly. Jadyn says “I can fly?!? Cool!” and Angelia’s movement accelerates rapidly.

We roll some dice to see how everyone’s new method of getting around works, and given the opportunity, all three kids decide to accent their ability with a Stunt. Jadyn can’t think of one yet, but knows she wants one.

Anna

  • Because I can make ice-slides, I get a +2 to flashily overcome movement-related obstacles.

Mikenna

  • Because I have a zip-line, I get a +2 to cleverly overcome Physical obstacles.
  • Clever +2 (Despite leaving ‘the brainy stuff’ to Angelia, Mikenna is quite smart herself – she just doesn’t apply it much of the time, apparently.)

The shaft opens out into a utility control room, and we’re sort of back to a room vaguely like a scene in the DCUO tutorial.

“Okay,” says Oracle, “the good news is, you’re almost to the hangar. The bad news is, they know you escaped from the holding pods, and they’ve put guards on all the choke points that might let someone off the ship. That’s the next room – it’s marked ‘waste accretion’ on the schematics. Take a peek in there and see what kind of guards they have posted.”

Anna (stealthily) creeps up, and reports a half-dozen “really big spider robots.” Basically these guys.

Stats coming next session.

Meanwhile, Jadyn has noticed that there are a couple warning lights blinking on the control terminals in the room. After working out what the lights are supposed to mean, she Cleverly deduces that the room next door is supposed to be where “Earth trash” is accumulated and destroyed, but all the delivery tubes for the room are currently locked, and the supply of various kinds of trash are building up in the massive tubes over the robot’s head.

“What’s in each of the tubes?” Jadyn asks.

And therein begins a plan.

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“Escape from the Science Tubes” – FAE Supers Gaming with my Family, Part One

I could write about this game for a week. It’s possible I might.

There’s so much to take out of this experience, both in terms of game design, game running, game playing, and just the experience of playing with new players, that I probably need a few days just to organize my thoughts, but I don’t have that kind of time – I’m on a plane in 24 hours, and soaking in wall-to-wall busy for the next two weeks.

So instead, you get a series of slightly disorganized actual play reports. Hopefully that’ll work.

Right. Here we go.

The Most Wonderful Time… Of the Year

My sister was coming out to visit for the four or five days between Christmas and New Years. In tow, my nephew (14) and niece (10), and it was pretty much assumed that while everyone was out, Uncle Doyce would be playing games with the kids.

No Experience Required

Although neither niece or nephew do tabletop gaming regularly, I’ve played quite a few games with them in the past. Pilgrims of the Flying Temple went well, as did Happy Birthday Robot, though Dread was probably the biggest reigning hit – my nephew ended up writing a play about the events of that game session (and a proper ending, since we didn’t actually finish the story). At some point, I’ve also run something that required full sets of polyhedrals, but neither they or I can remember what that was. At any rate, they didn’t have a lot of gaming experience, and I needed to keep that in mind.

My daughter, by contrast, has done quite a bit more gaming with me, most recently a Fate Accelerated Edition “supers” game, very loosely set off the beaten track in some backwater DC Universe (I called it Earth-23). When I mentioned I’d be running something when Malik and Jadyn were in town, she got very excited at the idea that she’d be able to play some version of Fate with her cousins.

Note: I didn’t say “Fate” at any point; that was her assumption, and any hint that it might not turn out to be true was met with lukewarm enthusiasm at best. No surprise, as she clearly likes the game.

I didn’t feel like arguing, and at any rate I had some decent ideas for what I could do with a supers game.

So this is what I have:

  • Nephew, Malik, 14. Little gaming experience. Passing familiarity with ‘supers’ thanks to the Batman “Arkham” console games.
  • Niece, Jadyn, 10. Little gaming experience. Very little if any supers familiarity.
  • Daughter, Kaylee, 8. Some gaming experience, almost all Fate or FAE. Has watched Young Justice, JLU, and Justice League series straight through, several times.

Clearly, I can’t just jump in and assume that everyone knows what’s going on with either the game or a setting. Forget “does everyone know who Solomon Grundy is?” – in terms of tropes, I can’t assume most of the people at the table will be familiar with common superhero powers, let alone how you’d express them in Fate or any other game.

So, what I need is a good introduction both to the setting and the system.

The best example I had of this sort of thing was The Demolished Ones, a really fabulous Fate scenario that scratches about every gaming and story itch I have. Unfortunately, the tone and concept are more than a little dark for young/new gamers, and it was too long to wrap up in any kind of satisfactory way in the time we had. Still… the “you start out with amnesia” thing…

I’d asked Kaylee early on if she wanted to play Nataly (her girl from our solo game, about which I still need to write about three or four more blog posts to get caught up), or make up someone new for her cousins’ visit, and she opted to make up someone new, because she likes making new characters almost as much as playing them. (Don’t we all?)

Knowing that, I chucked the “Christmas Gone Amuck in Mercury Bay” concept and focused on the idea of a group ‘origin story’, which brought me back around to something I’d been toying around with a few months ago – basically using the premise of DC Universe Online as the starting point of a tabletop supers game.

They Call It a “Tutorial”

See, the terribly useful thing about the start of most MMOs is that they set things up with the assumption that the new player is somewhat interested in the game, but doesn’t know that much about it – the character is a bit in the dark, and so learns along with the player. Also, a good tutorial at the beginning of the game like this starts out with simple concepts (this is how you attack) and slowly adds mechanics to the experience (this is the room where you learn to use your movement power) until, by the end, you’re doing all the ‘stuff’ you need to do to play the rest of the game (barring more esoteric activities like crafting and whatnot).

This sort of idea is easily (but, sadly, not often) mapped to an introductory scenario for a tabletop RPG like Fate.

Combine that with the amnesia stuff from The Demolished Ones, and good things start to happen.

As you’ll see.

You Wake Up In A Tube

I sat down with my players, an FAE book for each of us, lots of Fate dice, and blank character sheets.

I start with Jadyn, describing a dream her character is having in which she’s swimming around a coral reef, but in her normal street clothes, and she can breathe just fine. As soon as she realizes she’s dreaming, however, she starts to wake up, and finds herself inside some kind of glass tube, breathing mask and other wires strapped to her head, floating in some kind of liquid roughly the consistency of hair gel.

A female voice crackles in her ear (and in those of the other two players who are in similar tubes). “Right! I found you! Give me just a second and I’ll get you out of there.” Probably another minute passes and then the glass front of the tubes starts to roll down like a car window, spilling the goop out onto (and through) the metal grating floor of the large room. The goop flow carries all three of them out onto the deck as well, coughing and trying to squeegee the muck off their arms and faces.

Now’s the time to borrow from The Demolished Ones.

To Jadyn, I say, “You look over at Kaylee’s character. What is the first and most striking thing you notice about her appearance?”

She tells us that the girl has perfectly white hair, and I have Kaylee write that down on the back of her sheet.

I then repeat this for the other players, having each dictate a noteworthy physical feature of the person to their left at the table. Malik’s character has shockingly blue eyes. Jadyn’s character’s eyes are all black, with white pupils.

We do a bit of roleplaying and “what do you do first/next?” type things as I get them talking with each other for a few seconds – there are a lot of these suspended animation pods (immediately dubbed ‘science tubes’ by the players) in the room; most are empty, and those that aren’t contain people that have been in there so long their limbs are skinny and weak, their hair is mostly gone, and their skin has gone ‘water wrinkly’ all over and so badly their faces can’t easily be made out. They may not even be alive. Eww.

Once everyone gets a chance to actually roleplay themselves, I ask each player to tell me the first impression of the personality of the person on their right. Kaylee’s character is a “worrier,” Jadyn’s is “a nerdy expert,” and Malik’s is “an all-star athlete with attitude.”

Right.

My “tutorial” goal for this room:

  • Get (and explain) High Concept aspects
  • Get (and explain) at least one Approach for everyone
  • Build a stunt (if they need it) and explain them

The voice in their earbud returns. “Okay, the good news is, I can get the main door to your room open. The bad news is, there are guards right outside. Are any of you good with weapons?”

Malik says “What have you got?” and some kind of weapons locker opens in the corner. I tell him that it has whatever it is that he’s hoping to find, and he finds a bow and quiver of arrows and some random ‘utility belt’ stuff. No one else even checks the thing.

The door opens and a trio of ‘guards’ turn and then rush in. These guys:

Guard: Small quick combat unit. +2 at: patrolling, pulse rifle. -2 complex thought. Stress: 1 (2 hits takes it out)

I’m basically using the initiative system from Marvel Heroic, with just a touch of Doctor Who, so I ask if anyone is planning to do something that involves just talking.

Jadyn says she is, so I have her go first. She shouts “KEEP THEM BUSY” and runs off into the rows of “science tubes.” I ask what she’s doing, and she informs me she’s looking for a different exit.

Here, of course, is where an MMO disappoints you and a tabletop game (especially Fate) shines. I say “that’s very Cunning” and have her roll her dice and add her rating for the Cunning approach.

“I don’t have a rating in Cunning,” she replies.

I explain she can give it a rating at either 3, 2, 1, or 0, and how many of each rating she has to use, and she gives Cunning a 3, rolls, and easily adds the aspect “Concealed Maintenance Hatch” to the room.

“That’s what you’re doing while they keep the guards busy,” I say. “Who’s going next?”

She hands off to Malik (character: Mikenna), who uses his bow not to shoot the robots, but to burst a pipe and fill the area they’re standing in with steam (interesting choice, that). During this, he picks his +3 approach, writes out his High Concept, and picks up the first Stunt of the game

Mikenna

  • High Concept: High School All-star Marksman
  • Quick: +3
  • Stunt: Because everything moves slowly to my eyes, I get a +2 to Quickly create advantages.

Malik gives the turn to the robots, who have to overcome the passive steam obstacle to shoot, and end up not only missing, but giving both Mikenna and Anna (Kaylee’s character) a boost for their Defense success with style.

Anna is last. She’s scrambling for cover from the plasma blasts of the robots, shrieks, flings her arms out, and freezes… well, pretty much everything. The steam in the air, the water condensing on the bots, the bots themselves… pretty much everything. Two of them are taken out, and the last one is damaged, with ice stuck in its joints.

Anna

  • High Concept: Sub-zero Super Hero
  • Trouble: I bite off more than I can chew (didn’t come up here, but Kaylee already had it written down)
  • Flashy: +3
  • Stunt: Because I don’t know my own strength, I get a +2 to Forcefully attack multiple targets.

Kaylee starts off the next round by handing initiative back to Jadyn, who reappears out of the stacks just as the last robot rounds on Anna, gun leveled.

Her character (Angelia) shouts “Don’t you DARE!” and slams the robot into the ceiling… then the floor… then the wall.

Angelia

  • High Concept: Telekinetic Science Nerd
  • Relationship Aspect: I Look Out for Anna
  • Clever: +3
  • Forceful: +2
  • Stunt: Because I’m better at lifting heavy things, I get a +2 to Forcefully overcome obstacles. (Didn’t get used in this conflict, but the player really wanted it right away.)

“Come on,” she says, while the other two stare at the smashed robot. “I’ve got a way out.”

… and we’ll stop there… for now.

Next Up: “What Do You Mean, ‘Spaceship’?”

  • Sneaking through access tunnels I didn’t even know were there.
  • A little memory returns, leading to…
  • Relationship Aspects, Trouble Aspects, Scene Aspects
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Fate: Trouble Magnet – Session Three

We picked up the action from Session Two the following day. Hooray for weekends and little brother’s naptime.

Matthew Cuthbert drives a beautifully preserved old pickup that purrs down the highway like a sleeping lion. Inside the cab of the pickup, the old man and young girl are quiet: Matthew seems a bit uncomfortable with small talk, now that he’s on his own, and the Nataly has always been comfortable entertaining herself — she pulls out several of her comic books once it’s clear Matthew isn’t going to spend the drive quizzing her, and dives in.

After a half-hour or so, he clears his throat and asks what she’s reading.

“Just… my comic books,” she says, looking at the covers as though she wasn’t sure the covers matched the contents.

“Ahh, I see…” he mulls that over. “Which, ah… which ones are those about?”

She shrugs. “Superman. Captain Spectacular. The Clue. War Witch. The Inspectre.”

“Well, now…” he says, smiling a bit, “I’ve even heard of some of those.” He frowns. “You know… it’s a puzzle. There’re superheroes out there, and there’s superhero comics, but a lot of the comics you mentioned are made-up people, instead of the real ones. I wonder why that is.”

[Note: I had not talked this idea over with Kaylee beforehand — we were just roleplaying through the car ride and I lobbed this at her to see what she’d do.]

Nataly considered for a few seconds, then shrugged. “People read the comics to have fun. If they read something that happened to a real superhero, that’s just… news. Nobody likes news.”

Matthew pondered that, then nodded. “I reckon that’s so.”

[The next day, I asked Kaylee which of the superheroes she mentioned were ‘real’ and which were ‘just comics’ in Nataly’s version of the world. The answer she gave told me that we’re in somewhere in the DC multiverse (I’ll call it Earth-23), albeit with a few unfamiliar names in the headlines. I suspect this is at least partly because she’d rather Nataly meet Robin than read about him.]

The drive was a long one — her new home wasn’t anywhere near Clearwater Campus, and Nataly wondered how her new family had even heard of it, let alone her. She asked about her new home, but Matthew didn’t know much.

“We just moved in a few days ago,” he said. “Marilla – my sister – picked it out, while I was coming to get you. Have you ever lived on a farm?”

Nataly shook her head.

“Me neither,” he confided. “I guess we’ll all figure it out together.”

“What did you do before you moved?” Nataly asked.

“Well, now…” he thought it over. “I suppose we were just… looking around for the right thing.”

Nataly dozed for awhile, and Matthew woke her when they got close to their destination.

“Now, Marilla is… really excited to meet you,” he said, “but she gets stern when she’s nervous, so don’t hold her first impression against her. She warms up over time.”

Nataly nodded. A veteran of uncounted “family interviews”, she had no fear of meeting new people.

The farm house looked as though it hadn’t been lived in for quite awhile. It was nice, just a bit run-down.

“We’ll have lots to work on,” thought Nataly.

A woman about Matthew’s age was waiting in the yard, and Nataly got out and walked over right away to shake her hand.

“So,” said Marilla, “you’re the girl.” She tried on a smile, though it didn’t look especially comfortable. “Good.”

Marilla and Matthew give Nataly a tour of the rambling old farmhouse, and she’s encouraged to unpack, but that really doesn’t take very long. The two suggest she ‘do a bit of exploring around the place’, which she does, though she purposely does not do any experimentation with her bracelet at this time, her reluctance explained as a desire to have at least one day go by at the farm with nothing going wrong. Supper and bedtime are pleasantly uneventful, and Nataly dozes off while (re)reading comic books.

The next morning, after helping with breakfast, Nataly is directed back outside for more ‘exploring’, and her own meandering and boredom eventually get the best of her and lead her to more messing around with her bracelet. This goes quite a bit better than the previous morning’s misadventure with Kendra, and after a few hours she finds she’s able to fly reliably and even get up a kind of ‘force bubble’ semi-reliably — it seems to be more of a flinch reaction when she’s about to smash into something hard.

She’s surprised to realize that flying is hard work: something that leaves her quite as winded as she would be from a long run or a series of sprints — it’ll be in her best interests to continue to ‘exercise’ her new abilities.

She returns to the house at lunchtime, washes up, helps lay food out, eats enough for three grown adults, chattering the whole time, and then actually falls asleep sitting in her chair. Matthew carries her up to her room and she naps for almost three hours, then helps her new family unpack and organize the house. Marilla doesn’t think much of her comic books, but does have a surprisingly broad selection of science fiction novels that Nataly has never heard of and which Marilla seems eager for the girl to read.

Nataly wakes in the middle of the night unsure what’s jolted her from sleep, but doesn’t have to wait long — the strange skittering across both the roof of the house and the floor of her room answers that question quickly enough.

She’s still trying to decide if she should go and explore or call for someone when a large, clicking, metallic spider-creature-thing jumps onto the foot of her bed.

The CGI from Lost in Space has NOT aged well, in case you were wondering.
The CGI from Lost in Space has NOT aged well, in case you were wondering.

Nataly, never a big fan of spiders in general, much less big robo-spiders the size of dobermans, lets out a shriek, shoves at the thing and… blasts it back off her bed and right through the wall, leaving a gaping hole between her room and Marilla’s.

There’s a moment of stunned silence, then Nataly shouts:

“Marilla!”

Just as Marilla shouts:

“Matthew! They’re here!”

“Who’s here?” Nataly hollers, and jumps out of bed.

“Get downstairs!” is her only reply, and she does so, stopping only long enough to grab her backpack.

The outside of the house is crawling with spiderbots.

Spiderbots
Metal Shell, Spindly Legs

+2 to Creepy Spider Stuff
-2 to everything else.

No stress boxes.

Four of the ‘bots leap down, a silvery web spread out between them like a net. Nataly throws a force field up that’s too big for the web to surround, the spiders themselves hit it and bounce away. Matthew tries to grab one and smash it, but it crawls up/wraps around his arm and grapples with him.

Marilla emerges from the house carrying a bag that would intimidate Mary Poppins and snaps at Nataly to get to the barn, but the girl isn’t going to leave her new friends… family. Whatever. She drops her own force field and creates shields around Marilla and Matthew instead, which give them more than enough of an edge against the spiders to do some damage. Matthew peels his loose and smashes it against a second one, destroying both, while Marilla’s arm seems to… fold apart, revealing a very large gun barrel that spews bright blasts of energy that make short work of several spiders (though they also damage the house and start several small fires).

Matthew, at least, is willing to listen to Marilla, and heads to the barn to get his pickup out so they can get away.

Nataly’s a bit traumatized by her brand new home being on fire, but Marilla’s grim determination helps her stay focused. Marilla’s unexpected offensive has the spiderbots reeling. [Rather than going for damage, she created an Advantage for Nataly to exploit, and the dice were very kind, giving Nataly two free +2 aspect invocation bonuses to use against the enemy.]

Nataly takes advantage of Marilla ‘grouping’ the stunned spiderbots into several large clusters and tries to repeat the trick she did to the bot that jumped on her bed, hurling several ‘balls’ of force energy at the clusters of spiders.

[[Between the two free invokes, the +2 bonus she gets from one of her stunts, Kaylee’s insistence on using a Fate Point to invoke her ‘bracelet’ aspect, a good dice roll on her part and a bad dice roll on my part, she ended up with something like fourteen (!) shifts worth of damage to dole out amongst the ‘bots. Not enough to take them all out, but more than enough to cut their numbers by half and give her and her family plenty of time to drive away.]]

It’s quiet in the cab of the truck. Nataly is looking out the back window at her first real home, burning, dwindling in the distance.

“Well…” Matthew finally says. “I’d guess you did a bit of something or other with your bracelet today?”

Nataly doesn’t know what to say, or how he knew, so she simply nods. He nods in return, glancing at Marilla, who’s mouth gets tight.

“It’s our own fault,” she says, “this foolishness about living out in the country. There’s no other anomalous energy signatures out here — anything the girl does will stand out like a spotlight.” She shakes her head.

“I’m sorry,” Nataly’s voice is small, sure that this is all her fault.

“Oh, girl, don’t be silly. We should have known better.”

“I could… just…” she swallows “…not use the bracelet?”

“Well, now…” Matthew drawls. “That won’t do, I don’t think.” (Which is a great relief to Nataly.)

“No it will not,” Marilla agrees, primly. “The problem is being out here in the open.” She considers. “What a body needs is camouflage — the more strange things going on around us, the less likely anyone’s going to notice the girl.” She looks at Matthew.

“City it is, then,” he replies, and spares a smile for Nataly. “Best you get some sleep. It’s a long drive to Mercury Bay.”

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FATE: Kaylee’s Solo Supers Session Two – Trouble Magnet

Nataly wakes up in her room at the Clearwater Campus, her head foggy and filled with that nagging feeling you get when you can’t remember a dream you’re sure you really want to remember. Something about flying?…

[Amusing note: Kaylee has never felt, so far as she knows, that “can’t quite remember a dream” or the “I can’t remember what I was going to tell you” sensation, so explaining what Nataly’s head felt like took a lot longer than expected, and wandered off into an interesting discussion about memory.]

Nataly frowns at the ceiling, trying to remember why she feels so odd (and why she’s laying on top of the covers, fully dressed) when there’s a knock on the door. Nataly hops up to answer it, and notices the bracelet on her wrist. Her adventure from the night before comes back all at once – at least up to the part where she found her treasures box and opened it. She hides the bracelet in her bedclothes and opens the door.

It’s Kendra, literally hopping up and down with impatience. She slips inside as soon as the door opens more than a crack. The girls exchange notes, with Kendra doing most of the back-filling. Nataly put the bracelet on, started glowing and floating, and didn’t answer Kendra at all. The guard was patrolling past Mrs. McHevy’s desk, so Kendra closed the storage room all the way and doused Nataly’s glow by throwing a quilt from one of her treasures boxes over her — pretty good ghost costume, apparently.

Once the guard had moved on, Kendra tried to wake Nataly up, then gave that up and just pulled her through the air back to her room, “like a big party balloon.” She’d moved Nataly over her bed and, with nothing else to try, left her there.

Nataly finds this whole idea of floating very interesting. She retrieves the bracelet from her bed, slips it on, and tries jumping off the bed as high as she can and flying. No joy. A few more attempts (with Kendra providing commentary and suggestions) do not improve the situation.

There’s another knock on the door. Kids aren’t supposed to have anyone but them in their rooms, so Nataly hides both Kendra and the bracelet under the bed, and answers the door.

It’s Mrs. McHevy, who first asks if she heard “someone” jumping on “someone’s” bed, which is strictly against the rules. Nataly looks hangdog, but Mrs. McHevy can’t keep her stern expression on, because she’s excited: it seems a new adoptive parent just showed up at the Campus, just this morning, with all paperwork in order and asking specifically for Nataly! Interviews are normally on Saturdays, never on Sundays, but with this parent’s fine references – really quite remarkable references – exceptions were made, and Nataly should really get dressed up right now to go meet him.

Him? Why yes. His name is Mr. Cuthbert, and he’s filled out adoption (not foster, adoption!) papers on behalf of himself and his sister. A bit of an unorthodox family arrangement for an adoptive family, but their references were very good. Now get dressed!

Nataly moves quickly, just to get Mrs. McHevy out of the room before she notices Kendra, and they go to meet Mr. Cuthbert, who is waiting with the Principle.

Mr. Cuthbert, who insists (well, quietly and politely requests) that Nataly call him Matthew, seems like a very nice man — a bit older than people in most interviews, but still not old old. He doesn’t seem put off at all at Nataly’s rather hesitant answers during their chat, and they agree that Nataly should go pack and “take some time to say goodbye to all your friends.”

Nataly rushed back to her room to tell Kendra the news, but Kendra isn’t there, and neither is the bracelet!

Nataly rushes around, looking for Kendra, but finds Jolene instead, who first snarks about not seeing “your so called friend” and then shows shocked disbelief that Nataly is being adopted, before her, and not even on a Saturday.

Nataly finds a quiet spot to try to think through the problem. (Time to roll Clever.) She thinks of Kendra giving her frustrated instructions on how try to fly, and thinks her friend probably went to try it herself. She thinks of places she would go to do that, and checked the gym and playground before rushing to the roof, through a door that Kendra herself had once showed her didn’t lock properly.

Sure enough, there’s Kendra, on the edge of the room, trying to screw up her courage to the point where she’s ready to jump off a four-story building. Nataly tries to get her to come down, but Kendra is determined, and prepares to jump. Nataly rushes to her and manages to grab her arm before she goes over. She grabs her by the wrist/bracelet, and in her struggle to pull her friend back from the fall, the two shoot up into the air.

Nataly knows several moments of stunned wonder as she soars out over the lawns around the campus… and then she and her friend start falling in a long arc.

Nataly tries to (Carefully) think about what she had been trying to do when she flew off into the sky, but she can’t (too many distractions from her friend screaming and clawing at her arms). The ground rushes at them, Nataly flinches —

And they bounce, the two of them inside some kind of bubble force field. One massive bounce takes them into the woods, where they ricochet off the trees like a pinball until the bubble ‘bursts’ and they crash into a big bush.

[Another weird disconnect: Kaylee has no idea what a pinball machine is. This must be rectified.]

The girls limp home (Kendra ended up with a very tender ankle), and Nataly arrives back at her room grass-stained, scuffed, dirty, with twigs and leaves caught in her hair.

The principle and Matthew Cuthbert are waiting. The principle actually facepalms, expecting the Trouble Magnet to ruin her best chance at adoption.

Nataly sheepishly explains she was “just saying goodbye to my friend.”

Matthew looks the girl over, his eyes lingering for more than a few seconds on her bracelet, and says “Well, now, it seems the best thing for you is lots of open space and room to explore.” He turns to the surprised principle. “If everything’s all square with you, Nataly and I should probably be going.”

Observations: The game is going well! The only real challenge is the fact that Kaylee really likes to grab narration and just say whether various things are successful or not, or what others-besides-nataly are doing/saying/thinking. I’m generally fine with the input on setting and color stuff, because it tells me what kind of story she’s interested in, but I did remind her that (a) I’m playing too, and pretty much all I get to do is make stuff up, so she should try to leave something for me to do 🙂 and (b) when there’s some kind of conflict, the dice decide whether something works, not us. This second point was much easier for her to get when I compared it to the MMOs we play together (Wizard or Pirate 101, frex) where she decides what she’s going to do, but the game decides if it works.

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FATE: Short “Supers” Session with Kaylee

Last night, Kaylee and I decided to trade our bedtime reading for a introductory mini-session of Fate Accelerated Edition, with her playing the would-be superhero she made up over the weekend.

It’s Saturday afternoon, just after lunch, and Nataly Smith is lying on the bed in her small room at Clearwater Campus (a combination orphanage and elementary) reading one of the few donated comic books she hasn’t worn the covers off of already. Her eyes are wide, drinking in the four-color heroics — she’s a million miles away.

She’s also late.

A loud knocking jolts her upright, and the door opens before she can answer. Mrs. McIntyre, Principle’s Assistant, bustles in, demanding to know why Nataly isn’t dressed for her interview yet — why she isn’t in fact at her interview, as the appointment was scheduled to start five minutes ago. It seems the girl forgot that she was supposed to meet with a potential foster parent today, and she rushes around under Mrs. McIntyre’s frazzled glare, pulling on her best jumper (“just a little bit frayed along the hem”) and rushing out the door.

Another child might have rushed into the classroom where Principle Sanchez was waiting, or lurked outside, trying to eavesdrop on his conversation with the potential foster parent, but Nataly simply knocked and waited. The principle called her in, and she — a veteran of many, many interviews, walked quietly over to the heavyset older woman sitting primly in an undersized chair and came to a sort of schoolyard-grade attention, hands clasped behind her.

The woman was not impressed.

“Skinny little thing,” she said through pinched lips. “And I thought you said she was older. I need a strong, reliable girl.”

Principle Sanchez’s mouth twitched. “Nataly is one of the oldest girls currently living on-campus. I believe she’s ten.” He stroked his mustache. “In any case, while our girls have a fine sense of responsibility, we don’t normally rate them by their lifting capacity.”

The older woman gave him a sharp look, but his expression made it impossible to take offense. “You know I take care of anyone I foster, Mister Sanchez.” She turned back to Nataly. “Ten, then?”

Nataly nodded. “Yes…” She waited, then. “Ma’am.”

The woman sniffed. “You seem pleasant enough for some barren little suburban couple to’ve snapped you up — how is it you’re still here?”

“I… haven’t been very lucky,” Nataly said, eyes downcast. Which was true, though it didn’t really tell the whole story. Nataly had been taken home with – literally – dozens of families on a trial basis, but something always went wrong.

The woman seemed to sense the evasion. “Not lucky?” Her eyes narrowed. “Are you some kind of trouble maker?”

No, I’m a trouble magnet. Nataly thought — a phrase she’d heard the principle, Mrs. McIntyre, and most of her teachers use at one time or another — but she clamped her jaw shut to keep from saying it out loud.

The woman scowled. “Well? Speak up? Are you a trouble maker?” The principle started to say something, but she held up her hand to him, palm out. “I want to hear what the girl has to say.”

But Nataly froze. Trouble magnet echoed around her head, driving out any other possible reply she could have come up with and, knowing she couldn’t say that, she said nothing.

The silence dragged on, until the woman sniffed, sat back, and shook her head. “No.”

Principle Sanchez cleared his throat. “Perhaps –”

“No,” she snapped. “Two minutes into the conversation, and she’s already gone obstinate and locked her heels? I won’t have it. I’m too old and there are plenty of other girls.” She nodded her chin at Nataly. “You can go, girl, and good luck finding a family that will put up with a little bullheaded creature like you.”

Nataly’s lower lip moved just a bit, but she locked that down as well, managed a brief, automatic curtsy, and walked back the way she’d come.

It hardly surprised her anymore, when an interview went poorly. But it still hurt.

A hour later, Nataly was still sitting on the bed in her good jumper. She’d tried moping for a while, but she couldn’t really get her heart into it, and her eyes had fallen on the comic book she’d left behind. She was just picking it up when a shadow darkened her doorway.

It was Jolene.

“I just wanted to stop by,” said Jolene “and tell you how sorry I am that your interview foster parent thought you were terrible.”

Nataly glared. “That isn’t what happened.”

Jolene, only nine, raised an eyebrow in a way you normally only saw on bored adults. “Well, she didn’t take you home, did she? Something went wrong.” She tipped her head. “But something always does go wrong with you, doesn’t it?”

“Go. Away.”

“Away?” Jolene frowned. “But I’m in the hallway, not your room. There’s no rules against being in the hallway.”

“What. Do you want?”

“I just wanted to tell you how sorry I am,” replied Jolene. “I mean, I’m moving in with a real adoptive family next week, and you can’t even find a foster family to take you. I feel terrible.” She sighed. “At this rate, you’ll be eighteen and kicked out of here as completely hopeless before you even see your treasures box.”

“I won’t –” Nataly’s eyes narrowed. “Treasure box?”

“Treasures box.” Jolene’s eyes lit up, sensing a new weak spot. “Oh, I suppose you don’t know about those, since you came here as a little abandoned baby no one wanted. It’s the box where they put all the valuables you had when you came here, that you might lose.” She tilted your head. “Then again, since came here as an unwanted baby, you probably don’t even have –”

Nataly slammed the door.

“I’m never going to get adopted,” Nataly pushed at her food with a fork, her chin resting on her fist. “Everyone says I’m too skinny.”

Kendra, her one friend at Clearwater, gave her look. “Is that why you punched Jolene?”

Nataly’s head snapped up in surprise. “What? I didn’t punch her. I just slammed the door in her face.”

“Oh.” Kendra glanced across the cafeteria at a distance table full of giggling girls. “That’s too bad. She needs a good smack.”

Nataly grinned, but thinking of Jolene reminded her of something else. “She said something about a Treasures Box. Was she making that up or –”

“Nope, we all have those — all the stuff they don’t trust kids with.” She squinted into the middle distance. “Mine’s actually three boxes I think, and a key for a storage garage — all the stuff my grams left behind when she died, I think. They keep em all in a big storage room behind Mrs. McIntyre’s desk.” She looked at Nataly. “You didn’t know?”

“I never get to help in the office,” Nataly said. “And I’ve always been here. I probably don’t even have a box.”

“I bet you do,” Kendra said. Then she got the smile that was why she and Nataly had always been friend. “In fact…”

Nataly caught the grin and felt it spread to her own lips. “Are you thinking what I’m thinking?”

Fifteen minutes after lights out, Kendra knocked on Nataly’s door, and the two of them scurried through the campus, eyes peeled for the security guard that walked the hallways at night, tapping his stick on the radiators. Kendra claimed to know his wandering pattern, and she must have been right, because the girls didn’t see him all the way to the storage room door in the hallway behind Mrs. McIntyre’s desk.

The door was locked.

“How…” Nataly stared at the handle. “Can you pick locks?”

“No.” Kendra shook her head as through Nataly had just asked if she could breathe water. “Who knows how to pick locks?”

“Lots of people,” Nataly said.

“Lots of people in comic books, maybe,” Kendra muttered. “We need the key.”

“Well who –” Nataly’s eyes widened. “The janitor! He’s got every key to the whole building!”

“But they’re either in his closet, which is locked,” Kendra said, “or he took them home.”

“Maybe…” Nataly shook her head, thinking, but Kendra grinned and snuck back toward Mrs. McIntyre’s desk. “What are you doing?!?”

“I bet she’s got the keys in her desk.”

Nataly hurried after. “That’s private!”

Kendra stared back at her. “We’re breaking into a whole private room.”

She had a good point. Nataly joined the search, and found a ring of keys in a coffee cup full of loose change. Nataly went back to the door and started trying keys when Kendra stopped her.

“I just heard the security man hit a radiator!” she whispered.

The girls rushed back to Mrs. McIntyre’s desk and hid underneath. The guard walked slowly up and actually SAT on the desk for awhile, muttering to himself, sniffing loudly, clearing his throat, and generally just taking a load off in that way people who think they’re alone do. He even farted a couple times, but the girls bit their lips and stayed silent — probably the greatest test of their will in their short lives.

Finally, he stood up and wandered off. The girls hurried back and kept trying keys until the door opened and they slipped inside.

Only then did the giggles take them.

There were a lot of shelves and a LOT of boxes. It didn’t take Nataly long to figure out how they were organized, but when she went to where her box should be, there was nothing there, so she was forced to go shelf by shelf, reading each box label, one at a time. They did find Kendra’s boxes (there were four), at which point Nataly had to search by herself while Kendra went through them, holding up one small treasure after another.

Finally, Nataly came to a pile of boxes near the back of the room, each one labeled with names she didn’t recognize. She started moving them to the side and spotted hers near the bottom of the stack.

“Nataly,” Kendra hissed. “I think he’s coming back!”

Nataly kept moving boxes, finally pulling out hers — no bigger than a shoebox, dusty, and taped shut.

“Nataly!”

The young girl pulled at the tape, barely hearing her friend. Something inside the box had shifted and thumped when she’d picked it up. She did have a treasure!

“Nataly, he’s coming!”

The tape came away, the lid flipped to the side, and Nataly stared down at… a bracelet. A beautiful silver bracelet set with blue gems each the size of her thumbnail.

Hers. She knew it, somewhere deep inside. Always meant to be hers. She put it on.

“Nataly!” Kendra whispered as loudly as she could. “We need to–” She turned away from the door, and her eyes went wide. “…Nataly?”

Nataly floated in mid-air, arms hanging at her side, eyes wide open and glowing – glowing – blue.

And that’s where we stopped. (Amidst cries of “Wait!” “No!” and “Really, Daddy? Really?!?”)

Can’t wait to play again.

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Coming back to the old home town: Paragon City

Saturday morning, I revved up the old comp and prepared to get in a little gaming goodness. Would I get back to the incredibly satisfying, incredibly frustrating Braid? How about restarting Bioshock, to get at some of the story I’ve missed? Perhaps a little of the Ol’ Reliable, with Lord of the Rings Online?

None of the above. This weekend, I played City of Heroes.

Now, it’s been a long time since I’ve played CoH, though I think it’s fair to say that, when I played, I logged enough hours to last me the rest of my life, if I so chose. Still, I’ve been feeling an itch to play some supers lately – and, specifically, to play particular characters from CoH – and the opportunity presented itself, so that’s what I did.

Also, there’s two more Supers games coming out this year, and I want CoH fresh in my memory when I go check them out.

I don’t have a lot of nuanced analysis to present, so here’s just some stuff off the top of my head.

Good

  • Well, it’s fun, isn’t it? Not having to worry about bad guys getting behind you, the fairly intuitive interface (with some important exceptions), and hell… it’s super heroes – that’s pretty damned fun.Don’t discount this bullet point: it balances out a GREAT DEAL of the “Bad” and “Meh” below.
  • CoH is easy to play. If you don’t want to sweat the details, you really don’t have to, and that’s okay: you get an arrow telling you where to go to get missions, then you get an arrow telling you where the missions are, and then you do the mission and repeat. Provided you don’t ramp up the difficulty setting at all, I’m convinced a half-trained monkey could get a character into the mid-thirties with no problems at all. If you’re working with familiar contacts in a big zone, you can fly from mission to mission of mindless fun.
  • Extensible. If you like crafting systems and character stat tweaking CoH definitely comes through, limited only by your pocket book.
  • New content. Seems the development team is still doing solid work, and while I haven’t messed with the Mission Builder (nor am I likely to do much creation with it — my days of creating custom stories for CoH are long past (when it was much harder to manage), and that desire has NOT returned at ALL), I’ve heard that some of the new player-created content is excellent, and there certainly is a LOT of it.

Bad

  • Fucking. Timed. Missions. Why aren’t all the timed missions LABELED AS SUCH? It’s a simple, fixable thing, and game is, basically, fucking rude for not warning people. It’s doubly annoying when combined with this: I think they MUST have changed this somewhat since I last played, because damned if I remember this, but WHY IN THE HELL do you automatically get the next mission in a chain when you turn in the previous one? I just click on the NPC and BOOM: new mission? WTF, over?
  • Bugs. Perhaps I got so used to it last time that I didn’t notice, but DAMN the game is buggy. Kind of stupid bugs, also. Base problems. Costume options that migrate to some other table and screw up your character’s look. NPC pathing stupidity that borders on the laughable. Weird door bugs. Those stupid fucking CoT teleportals that go the wrong direction. Crashing the game if I’m using the wrong power when I zone. Seriously: for a game that relies SO HEAVILY on Zoning, it should be less crash- and bug-prone.
  • Zoning. Ugh. So much zoning. I don’t care if it’s fast (it isn’t, even on a good comp), it’s overused.
  • Inventory Management. The inventory capacity on CoH characters is STUPIDLY small. You can get 10 enhancements before being full up. Roughly 15 recipes. About 30 types of salvage. Roughly speaking, that’s half the bag space of LotRO – about a third of WoW. The number of times my recipe or enhancement slots filled up (with useful or valuable stuff), requiring a trip to a store (or four) was frustrating.
  • The interface is great, except when it isn’t. Is there any way to get into screen where you can see your powers and how they’re slotted WITHOUT clicking “Manage” in the Enhancement bag inventory? Is there any indicator that screen even exists, if you didn’t already know?
  • Why can’t you just drop a mission? I don’t mean “Drop it and get credit for it.” I mean DROP IT. I have three mission slots (at least one of which I probably got dropped on me without warning when I turned in an old one – see “Stupid Fucking Timed Missions” above), and I end up in a new area with cool new missions and I can’t just drop the crap I have and take these new things – I *HAVE TO* do those existing missions first.

Good? Bad? I’m the guy with the nanites in my blood.

  • Anyone who tells me that CoH doesn’t have an Inventory system, WoW-like auction house, crafting halls, potions, or body looting — YOU ARE FOOLING YOURSELVES, or just being disingenuous. The ONLY difference in the looting between CoH and other MMOs is that CoH has it happen automatically, without clicking on the body. That’s it. Salvage, inspirations, and enhancements? That’s LOOT. Some of it even makes a coin-jingling noise when you get it. All CoH does is remove a single click. (Actually, WoW doesn’t make you click anymore either, really, so…)
  • Level Cap. Like the urban spawl of Los Angeles or Denver, CoH continues to grow perpetually OUTWARD, with no interest in growing UPWARD. This is apples for some, oranges for others.
  • Only three missions can be live at a time? Really? Three? I get that CoH is geared for ultra-casual players, but goddamn: THREE? I’ve got over Forty-five quest slots in LotRO, and I manage. My daughter can count to ten without using her fingers; give us some fucking credit.

Now, did I enjoy myself? Oh hell yes. I played enough on Saturday that I didn’t get much of anything else done, and Sunday wasn’t much better. I’m pretty sure I dreamed about it Saturday night – it gets into my pores. It holds a special place in my heart – surrounded by a bit of scar-tissue, but still.

And Kaylee loves it. More than any other MMO, she just loves it. That might be partly due to the fact that she heard it in the womb, but it is what it is – she loves it. Like LotRO, she loves hitting the attack buttons as long as they make a satisfying BOOM, and LOTS of powers in CoH go Boom.

That said, it’s a game I have to approach with some caution – it’s fun and all, but it has a bad tendency to cause me to push other things out of my scope of vision — that’s all on me, not the game, but it is something of which I need to be aware.

NCSoft has a payment scheme these days that lets you pay for a single month at a time via paypal, without the annoyance of starting-then-stopping a recurring monthly plan, just to get some casual play – I’ll probably do that for the next month, simply to get my ‘fix’ for the superhero goodness and to analyze how much influence it still has on my productivity. Maybe I’ll even lure Kate along for the ride: who knows?

But I had a good time. It’s a good game, for all it’s quirks and flaws; maybe even despite – or because – of them.