Remi, from the Durham Three podcast, posts some actual-play on Primetime Adventures, played at Camp Nerdly (which ran the same weekend I was all warm and sunny in Florida, so I don’t really feel bad for missing it.) [Camp Nerdly – PTA] Sexitricity.
Why am I linking it? Because in one part of the thread, Remi breaks down how he handles the Session Pitch — he said earlier that he disallows any negative input at that point in the game, and someone asks for more info, and he brings it:
First I ask everyone for something that’s gotten them jazzed in the last week or two. An idea, a TV show, a piece of music, whatever. I make it clear that the show is going to be a synthesis of what everyone’s excited about, and that I’ll be the one doing most of the formal synthesizing. I go around the table in whatever order people want to go. For this session Duty, The Bene Gesserritt, Babarella, and the Preacher comic book series were all mentioned.
Joshua mentioned the Bene Gesserritt and someone immediately picked up and said “Oh! We could be, like, the companions in Firefly!” and someone else said, “The companions were kind of cool, but the lame thing about them was . . .” and I stopped it cold, insisting the person only talk about what they liked about the companions, not disliked. The pitch session could have degenerated right there into people sniping one another’s ideas, which when you’re gathering material is death. The player immediately turned around and said what he’d like to see out of a companion-style idea, and we built from there.
This is something I wish I’d read before the “Tarot Game” Mortal Coil session. As that did not happen, I’ll have to settle for enforcing that guideline unswervingly in future play, in any game, even in-game (especially with strong narrative-switching like PTA) — a kind of “never say no to the scene” improve acting rule/technique.