Wrapping up Diaspora, Shakespeare-Style

So quite a little while ago, we started out a Diaspora game. Our schedules have been a little crazy — we did character generation in mid-January and played the seventh and final session last night — and as per normal, playing into the fourth and fifth sessions prompted a few system hacks, but on the whole it’s an entirely enjoyable system. But I’ve talked about the system before, and I’m not going to do that today.

I just want to talk a little bit about synchronicity and constraints and the kinds of fun that comes out of that.

When we did the character and star system creation lo those many months ago, we decided we needed some kind of theme or something to tie things together. I’d been writing a sci-fi novel at the time (still am, actually) and I’d enjoyed naming planets from one section of space after characters in Shakespeare plays — no particular reason, I just liked how they sounded — so I suggested we do something like that. Everyone agreed, so we went with that, plus “the system should start with the same letter as the name (first or middle) of the person who thought it up, and no systems starting with the same letter.”

So…
– Keepdown (Kate)
– Trinculo (Tim)
– Caliban (Chris)
– Dauphine (Doyce)
– Shylock (Kate again)
– Lear (Tim again)
– Achilles (Chris again)
– Orpheus (Me, and I don’t know how I got “O”, except that A was taken already)

Then we came up with personalities for these systems. Keepdown was struggling as an abandoned terraforming colony on a world wracked by hurricane-force storms. Trinculo was luxurious and opulent and self-satisfied. Caliban was privateers and pirate nobility raiding other systems for the resources they’d long since exhausted in their own. Dauphine was the poor exploited system Caliban mostly raided. Shylock was connivers and meddlers and diplomats. Lear was a blasted, nigh-uninhabitable, often betrayed wasteland of ancient ruins. Achilles was a world of science gone awry and angry, carnivorous plantlife. And Orpheus was a world of idealists and dreamers, trying to get back to the imagined ideals of Earth-Long-Past.

Then we came up with characters, and the Shakespeare thing continued.

Miranda was the daughter of the pirate lords of Caliban whose father (we find out MUCH later) died suspiciously. She fled the family and the family business when her uncle took over the family. She changed her name and started a mostly-legitimate business. When they found her again, she liquidated her assets, bought a ship, and hired a crew of misfits and the suspiciously secretive.

The ship’s name was the Tempest. It’s A.I. (helpful and communicative, but otherwise invisible) was named Ariel.

Tim came up with Titus Belliago, the president for life of Trinculo who became over bored with his continued, nigh-immortal existence (and more than a bit annoyed by the occasional assassination attempts). He arranged for a body double to impersonate him, pauper and the prince style, and snuck off to have adventures with one of his would-be assassins. (Phyll, from Achilles, played by Chris.) He took on the name Iago.

It wasn’t all Shakespeare themes. The AI played Settlers of Catan with Miranda on the long interstellar hauls. The ship’s log-software was named as “Spacebook”, in which the crew could comment on and Like/Dislike various updates from other members of the crew. (There were at least a half-dozen NPCs on the ship as well, from the “a bit jumpy” gunnery mate, to the “twitch gamer” comms officer who gave the crew bonuses to intimidation, but only when it wasn’t face to face.)

Things progressed, as they do.

I don’t know if I can explain the tangled mess of the final session without explaining the entire campaign (which I’m not going to do), but I’ll give it a try.

There’s a space station in Shylock system. Many different factions are meeting here for various reasons, and the crew of the Tempest have delivered a Dauphine diplomat there and are acting as liaison and body guard for him while he tries to acquire allies against Caliban predations.

In the course of events… Iago gets fatally wounded (which means, in his case, that he’ll need about a week of bed rest), Miranda is spotted by her uncle and his thugs try to take the Tempest by force (leaving at least half the crew too injured to do anything this session), the Dauphine diplomat is framed for intersystem biological terrorism and murder, and Iago’s pseudo-twin docks with the station on a slow-boat tour of the cluster.

That was the mess waiting for them as we started the session last night.

The players wrapped things up in about two hours of play. Maybe less.

In short:
– Iago discovered that Miranda – his Captain – was actually from the Caliban elite, and thus a pirate — a group he despised.
– Miranda discovered that Iago was actually the President For Life of Trinculo (she met his gone-somewhat-to-fat body double).

Armed with this information, and racing against a (player-invented and self-inforced) 45 minute deadline before Iago (who was getting no bed rest at all) bled out, our heroes:
– Snuck onto the Trinculo cruiser.
– Subdued Iago’s body double.
– “Revealed” to the Trinculo cruiser’s crew that the body-double touring the cluster had actually been a diversion so that the REAL Titus Belliago could have a quiet honeymoon with his new bride, Miranda Lafitte, of the Caliban Lafittes.
– Announced this marriage to the public.
– Demanded the release of the Dauphine diplomat (and extended diplomat alliances to Dauphine in general, in solidarity against Caliban).
– Explained that, clearly, the Shylock people the diplomat had been accused of killing had accidentally killed themselves by misusing the (Trinculo-designed) biochemical compounds they’d probably been trying to use on the diplomat in the first place.
– Established ties-by-marriage to the pirate lord families of Caliban, making it very difficult for Caliban to… you know… DO anything about any of it.

In short, they solved the whole problem by revealing their true identities and getting married.

Shakespeare.

(Luckily for them, one of the comedies.)

I call it As you Like it… Whether you Like it or Not.

The End. And a good end it was.


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